In this Issue

Table of Contents

A Note from the Editor

Susanne Shawyer
pp. 111-112
DOI: https://doi.org/10.1353/tt.2024.a932201
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Centering Embodied Comedy in Theatre and Performance Studies Scholarship

Maria De Simone, Matthew McMahan, Grace Kessler Overbeke, Katelyn Hale Wood
pp. 113-118
DOI: https://doi.org/10.1353/tt.2024.a932202
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Embodying Extraness: Leslie Jones’s Black Feminist Comedic Strategy

Amani Starnes
pp. 119-126
DOI: https://doi.org/10.1353/tt.2024.a932203
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Disorganizing Representation in Theatresports: A Case Study in Improv Comedy

Keira Mayo
pp. 127-134
DOI: https://doi.org/10.1353/tt.2024.a932204
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What It Is to Perform, Not Tell, Jokes: Toward a Manifesto of Stand-Up Research

Izuu Nwankwọ
pp. 135-142
DOI: https://doi.org/10.1353/tt.2024.a932205
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Shaping Life, Shaping Work: Julio Torres’s Queer Comic Labor

Adin Walker
pp. 143-149
DOI: https://doi.org/10.1353/tt.2024.a932206
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Liz Kingsman’s One Woman Show as Embodied Meta Comedy

Jennifer Schmidt
pp. 151-157
DOI: https://doi.org/10.1353/tt.2024.a932207
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Staging Comedy’s Ends: Minstrel Embodiment in Branden Jacobs-Jenkins’s Neighbors

Emily Banta
pp. 159-166
DOI: https://doi.org/10.1353/tt.2024.a932208
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“A Trusted Voice Saying Ludicrous Things”: Excerpted Interview with Stand-Up Comedian Negin Farsad

Negin Farsad, Katelyn Hale Wood, Maria De Simone, Matthew McMahan, Grace Kessler Overbeke
pp. 167-170
DOI: https://doi.org/10.1353/tt.2024.a932209
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On Bombing: Causes and Strategies of Resilience for Stand-Up Comedians

Megan Gogerty
pp. 171-175
DOI: https://doi.org/10.1353/tt.2024.a932210
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Mehrub Moiz Awan on Queer Joyful Worldmaking, in Pakistan and Beyond

Claire Pamment, Mehrub Moiz Awan
pp. 177-184
DOI: https://doi.org/10.1353/tt.2024.a932211
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Decentered Playwriting: Alternative Techniques for the Stage ed. by Carolyn M. Dunn, Eric Micha Holmes, and Les Hunter (review)

Ana Candida Carneiro
pp. 185-186
DOI: https://doi.org/10.1353/tt.2024.a932212
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Sustainable Theatre: Theory, Context, Practice by Iphigenia Taxopoulou (review)

Erika Guay
pp. 186-187
DOI: https://doi.org/10.1353/tt.2024.a932213
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Inside the Performance Workshop: A Sourcebook for Rasaboxes and Other Exercises ed. by Rachel Bowditch, Paula Murray Cole, and Michele Minnick (review)

Matthew Leveille
pp. 187-188
DOI: https://doi.org/10.1353/tt.2024.a932214
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Staging Violence against Women and Girls: Plays and Interviews ed. by Daniela Cavallaro, Luciana d’Arcangeli, and Claire Kennedy (review)

Amanda Rose Villarreal
pp. 188-189
DOI: https://doi.org/10.1353/tt.2024.a932215
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Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam by Mundoli Narayanan (review)

Vimal C Akhila
pp. 189-190
DOI: https://doi.org/10.1353/tt.2024.a932216
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The Scenic Charge Artist’s Toolkit: Tips, Templates, and Techniques for Planning and Running a Successful Paint Shop in the Theatre and Performing Arts by Jennifer Rose Ivey (review)

Rebecca Wolf
pp. 190-191
DOI: https://doi.org/10.1353/tt.2024.a932217
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Love Is Love Is Love: Broadway Musicals and LGBTQ Politics, 2010–2020 by Aaron C. Thomas (review)

Samuel Yates (They/He)
pp. 191-192
DOI: https://doi.org/10.1353/tt.2024.a932218
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Race and the Classics: An Argument for Empathy

Carla Della Gatta, Harvey Young
pp. E-11-E-14
DOI: https://doi.org/10.1353/tt.2024.a932200
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