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In this Issue

Table of Contents

  1. Introduction: Affective Forms of the Modernist Novel
  2. Doug Battersby
  3. pp. 1-4
  4. DOI: https://doi.org/10.2979/jml.00028
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  1. D. H. Lawrence and Shyness
  2. Kirsty Martin
  3. pp. 5-22
  4. DOI: https://doi.org/10.2979/jml.00029
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  1. Elizabeth Bowen’s Equivocal Modernism
  2. Doug Battersby
  3. pp. 23-40
  4. DOI: https://doi.org/10.2979/jml.00030
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  1. Elizabeth Bowen’s Queer Heart
  2. Andrew Bennett, Nicholas Royle
  3. pp. 41-55
  4. DOI: https://doi.org/10.2979/jml.00031
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  1. True Feints: Samuel Beckett and the Sincerity of Loneliness
  2. Rick de Villiers
  3. pp. 56-70
  4. DOI: https://doi.org/10.2979/jml.00032
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  1. “Other kinds of emotions”: Ishiguro’s Late-Modernist Affect
  2. Ulrika Maude
  3. pp. 71-87
  4. DOI: https://doi.org/10.2979/jml.00033
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  1. Joycean Form, Emotion, and Contemporary Modernism: Ellmann’s Ducks, Newburyport and McCarthy’s The Making of Incarnation
  2. Derek Attridge
  3. pp. 88-105
  4. DOI: https://doi.org/10.2979/jml.00034
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  1. Staging the Surface: James Joyce’s Theater for Theorization in “Circe”
  2. Katherine Franco
  3. pp. 106-123
  4. DOI: https://doi.org/10.2979/jml.00035
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  1. Ferdinand Levy: A Harlem Renaissance Dubliner and De-Colonial Cosmopolitanism
  2. Karl O’Hanlon
  3. pp. 124-144
  4. DOI: https://doi.org/10.2979/jml.00036
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  1. Elizabeth Bowen’s Critical “Scrap Screen”
  2. Danielle N. Gilman
  3. pp. 145-163
  4. DOI: https://doi.org/10.2979/jml.00037
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  1. “He will now think he hears her”: Indirect Perception and the Return to Proust in Samuel Beckett’s Ghost Trio
  2. Jivitesh Vashisht
  3. pp. 164-181
  4. DOI: https://doi.org/10.2979/jml.00038
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  1. Timbral Poetics: Samuel Beckett and the Impossible Voice
  2. Mantra Mukim
  3. pp. 182-199
  4. DOI: https://doi.org/10.2979/jml.00039
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