In this Issue
For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts' thematic issues have made important contributions to the field.
published by
Indiana University Pressviewing issue
Volume 40, Number 3, 2024Table of Contents
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View "This Is Not the National Theatre, Here We Study Talmud": Performing the Talmud in the Television Show Shenayim oḥazin
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"This Is Not the National Theatre, Here We Study Talmud": Performing the Talmud in the Television Show Shenayim oḥazin
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View The Art of Sincerity: Essayistic Mode in the Works of Yosef Ḥayyim Brenner and Fyodor Dostoyevsky
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The Art of Sincerity: Essayistic Mode in the Works of Yosef Ḥayyim Brenner and Fyodor Dostoyevsky
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View Survival in America: The Literary Nexus between Philip Roth's Holocaust Fiction and the Holocaust Memoirs of Primo Levi and Anne Frank
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Survival in America: The Literary Nexus between Philip Roth's Holocaust Fiction and the Holocaust Memoirs of Primo Levi and Anne Frank
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View Back to the Sites of Ḥurban: Poetic Reenactment and the Movement of Memory in Ḥayyim Naḥman Bialik's "Beʿir haharegah," and Paul Celan's "Engführung"
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Back to the Sites of Ḥurban: Poetic Reenactment and the Movement of Memory in Ḥayyim Naḥman Bialik's "Beʿir haharegah," and Paul Celan's "Engführung"
- Save Back to the Sites of Ḥurban: Poetic Reenactment and the Movement of Memory in Ḥayyim Naḥman Bialik's "Beʿir haharegah," and Paul Celan's "Engführung"
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| ISSN | 1086-3311 |
|---|---|
| Print ISSN | 0272-9601 |
| Launched on MUSE | 2024-06-22 |
| Open Access | No |




