In this Issue

Table of Contents

Images

p. i
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Wake

Jay Carlon
pp. 1-2
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Notes on Hope: Revisiting Unmarked 30 Years Later

Peggy Phelan
pp. 7-10
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A Second Take: On Performative Writing and Reading

Peggy Phelan
pp. 11-23
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Zuckerberg's Smile, or Presence in the Age of Digital Technologies

Diana Taylor
pp. 24-34
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Sound Against Music: The Musical Amateurs of the Judson Dance Generation

Benjamin Piekut
pp. 35-54
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Politics of Performance/Performance of Politics: White Paper Revolution and Chinese Performance Art

Meiling Cheng
pp. 55-78
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Arrival of the Devis' Spirit: Filming Voice and Agentive Entanglement

Rajat Nayyar
pp. 79-92
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Surveillance as Gesture: Alienation in the Age of the Doorbell Camera

Talley Murphy
pp. 93-111
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Environmental Horror and White Extinction: Scenes of Literally Ecological Theatre in Escaped Alone by Caryl Churchill and The Evening by Richard Maxwell

Nik Wakefield
pp. 112-130
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"You act as Human, and I will act as AI": Technological Rehearsals at the Interface

Kathy Fang
pp. 131-150
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Theatre as Refuge: Staging the War in Ukraine at Berlin's Schaubühne

Emily Goodling
pp. 151-159
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Gentle Transnational Spirits: The Okazaki Art Theatre's Immigrant Ghost Stories

Ana Elena Puga
pp. 160-168
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Rehearsal Studies: Empowering the Room

Joseph Roach
pp. 169-176
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