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In this Issue

Table of Contents

  1. Images
  3. p. i
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  1. Wake
  2. Jay Carlon
  3. pp. 1-2
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  1. Notes on Hope: Revisiting Unmarked 30 Years Later
  2. Peggy Phelan
  3. pp. 7-10
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  1. A Second Take: On Performative Writing and Reading
  2. Peggy Phelan
  3. pp. 11-23
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  1. Zuckerberg's Smile, or Presence in the Age of Digital Technologies
  2. Diana Taylor
  3. pp. 24-34
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  1. Sound Against Music: The Musical Amateurs of the Judson Dance Generation
  2. Benjamin Piekut
  3. pp. 35-54
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  1. Politics of Performance/Performance of Politics: White Paper Revolution and Chinese Performance Art
  2. Meiling Cheng
  3. pp. 55-78
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  1. Arrival of the Devis' Spirit: Filming Voice and Agentive Entanglement
  2. Rajat Nayyar
  3. pp. 79-92
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  1. Surveillance as Gesture: Alienation in the Age of the Doorbell Camera
  2. Talley Murphy
  3. pp. 93-111
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  1. Environmental Horror and White Extinction: Scenes of Literally Ecological Theatre in Escaped Alone by Caryl Churchill and The Evening by Richard Maxwell
  2. Nik Wakefield
  3. pp. 112-130
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  1. "You act as Human, and I will act as AI": Technological Rehearsals at the Interface
  2. Kathy Fang
  3. pp. 131-150
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  1. Theatre as Refuge: Staging the War in Ukraine at Berlin's Schaubühne
  2. Emily Goodling
  3. pp. 151-159
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  1. Gentle Transnational Spirits: The Okazaki Art Theatre's Immigrant Ghost Stories
  2. Ana Elena Puga
  3. pp. 160-168
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  1. Rehearsal Studies: Empowering the Room
  2. Joseph Roach
  3. pp. 169-176
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