In this Issue

Table of Contents

Composing Degree Zero: Musical Phonology and Luciano Berio's Early Signification Model

Misty Choi
pp. 5-26
DOI: https://doi.org/10.1353/pnm.2023.a929840
restricted access

Ligeti's Unfinished Alice in Wonderland

Joseph Cadagin
pp. 27-76
DOI: https://doi.org/10.1353/pnm.2023.a929841
restricted access

Why Sines?

Emmanuel Amiot
pp. 77-105
DOI: https://doi.org/10.1353/pnm.2023.a929842
restricted access

Folds of Time: Operators for Continuity in Contemporary Musical Practices

Silvio Ferraz, William Teixeira
pp. 107-150
DOI: https://doi.org/10.1353/pnm.2023.a929843
restricted access

Reexamining the Infrastructure of the Minimally Divergent Contour Network: Edit Distance, Contour-Route Classes (CRs), and Contour-Route-Class Similarity (CRSIM)

Yi-Cheng Daniel Wu
pp. 151-216
DOI: https://doi.org/10.1353/pnm.2023.a929844
restricted access

Matter, Music, and Ecology in Ernst Bloch and George Crumb

Loren Goldman, Susanna Loewy
pp. 217-241
DOI: https://doi.org/10.1353/pnm.2023.a929845
restricted access

In Memoriam: Elaine Barkin

p. 242
DOI: https://doi.org/10.1353/pnm.2023.a929846
restricted access

Herself as Music

Dorota Czerner
pp. 243-249
DOI: https://doi.org/10.1353/pnm.2023.a929847
restricted access

In Celebration—ERB at 90: On her writing as composing, improvising, and wondering—in and through music, soundtexts, graphic notations, images, collages, listening portraits, soundplays, impressions, essays, reviews, and notes-in-progress

Marianne Kielian-Gilbert
pp. 251-259
DOI: https://doi.org/10.1353/pnm.2023.a929848
restricted access

Personae

pp. 264-265
DOI: https://doi.org/10.1353/pnm.2023.a929849
restricted access