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Table of Contents

  1. Editor's Notes
  2. pp. 1-3
  3. DOI: https://doi.org/10.2979/blc.00001
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  1. "Oh, the Places It Did Go": The Diasporic Journeys of Blaxploitation
  2. pp. 4-6
  3. DOI: https://doi.org/10.2979/blc.00002
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  1. Revisiting Sara Gómez
  2. pp. 7-9
  3. DOI: https://doi.org/10.2979/blc.00003
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  1. Sambizanga (1972): Aesthetics and politics in the film of Sarah Maldoror—Black, African, anti-colonialist, feminist
  2. pp. 10-11
  3. DOI: https://doi.org/10.2979/blc.00004
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  1. Renewing Black Radicalism and Labor Militancy with Finally Got the News (1970): An Introduction
  2. Cole Nelson
  3. pp. 12-19
  4. DOI: https://doi.org/10.2979/blc.00005
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  1. "A Component Part of the General Struggle of All the People of the World": Finally Got the News between Black Detroit and the World Revolution
  2. Zachary Williams
  3. pp. 20-51
  4. DOI: https://doi.org/10.2979/blc.00006
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  1. An American Dilemma? It's Happening in Detroit, or the Swedish History of Finally Got the News (1970)
  2. John Sundholm
  3. pp. 52-78
  4. DOI: https://doi.org/10.2979/blc.00007
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  1. Self-Defense and the Surround in Finally Got the News (1970)
  2. Travis Williams
  3. pp. 79-92
  4. DOI: https://doi.org/10.2979/blc.00008
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  1. Finally Got the News, on Another Continent
  2. Ferruccio Gambino
  3. pp. 93-99
  4. DOI: https://doi.org/10.2979/blc.00009
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  1. Finally Got the News: The Making of a Radical Film
  2. Dan Georgakas, Cole Nelson
  3. pp. 100-109
  4. DOI: https://doi.org/10.2979/blc.00010
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  1. An Interview with John Watson
  2. Dan Georgakas, Giorgio Losi
  3. pp. 110-120
  4. DOI: https://doi.org/10.2979/blc.00011
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  1. Dossier 1: Seizing the Means of Cultural Production—A Selection of Interviews on Finally Got the News
  2. Chris Robé, Cole Nelson
  3. pp. 121-157
  4. DOI: https://doi.org/10.2979/blc.00012
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  1. Dossier 2: Getting Out the News: Historical Documents
  2. Cole Nelson
  3. pp. 158-182
  4. DOI: https://doi.org/10.2979/blc.00013
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  1. Part I–Introduction: Journeys into the Cinematic Imaginary of the Africas/Diasporas of Women
  2. Beti Ellerson
  3. pp. 183-188
  4. DOI: https://doi.org/10.2979/blc.00014
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  1. Part II–(Re)imagining Cinematic Histories of Africa: African Women, Cinema, and the Tale of Kadidia Pâté
  2. Beti Ellerson
  3. pp. 189-196
  4. DOI: https://doi.org/10.2979/blc.00015
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  1. Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: Introduction
  2. Beti Ellerson
  3. pp. 283-285
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  1. Part IV–Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences: Journeying and Researching Ghanaian/Diaspora Women's Filmmaking Practices
  2. Joyce Osei Owusu
  3. pp. 301-307
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  1. Part VI–Mediating Diasporic Cinematic Experiences and Practice: Introduction: Storytelling and the Renegotiation of Histories
  2. Beti Ellerson
  3. pp. 362-365
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  1. Part VI–Mediating Diasporic Cinematic Experiences and Practice: "My Country, I Take within Me": In Conversation with Najwa Tlili
  2. Beti Ellerson
  3. pp. 373-376
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  1. Part VI–Mediating Diasporic Cinematic Experiences and Practice: "Do They Remember Us?": In Conversation with Shirikiana Aina
  2. Beti Ellerson
  3. pp. 377-383
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  1. Part VI–Mediating Diasporic Cinematic Experiences and Practice: Reflections on a Digital Sankofa Storytelling Experience: In Conversation with Jacqueline Nsiah
  2. Beti Ellerson
  3. pp. 384-387
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  1. Part VII–Critiquing Africas/Diasporas: Intersecting Dialogues—In Conversation with Claire Diao, Leyla Bouzid, Mati Diop, and Cornélia Glele
  2. Falila Gbadamassi
  3. pp. 388-400
  4. DOI: https://doi.org/10.2979/blc.00020
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  1. Part VIII–Reconciling Africas, Identities, Diasporas: Introduction: Who's African Anyway? An Evolving Story
  2. Beti Ellerson
  3. pp. 402-407
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  1. Part VIII–Reconciling Africas, Identities, Diasporas: A Mirage in the Desert? African Women Directors at FESPACO
  2. Claire Andrade-Watkins
  3. pp. 408-415
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  1. Part VIII–Reconciling Africas, Identities, Diasporas: In the Mouth the Teeth Sometimes Bite the Tongue: Reflections on the Women's Meeting at FESPACO 1991 and Beyond
  2. Beti Ellerson
  3. pp. 416-432
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  1. Part VIII–Reconciling Africas, Identities, Diasporas: Reconsidering Positionality and Subjectivity within African Cinema Discourse
  2. Beti Ellerson
  3. pp. 433-451
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  1. Part IX–Image Gallery: African/Diasporan Women Reframing Screen Identities
  2. Beti Ellerson
  3. pp. 452-463
  4. DOI: https://doi.org/10.2979/blc.00022
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  1. FESPACO 2023, Pt. 3: The Political Is Never Far Removed
  2. Olivier Barlet, Melissa Thackway
  3. pp. 464-472
  4. DOI: https://doi.org/10.2979/blc.00023
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  1. Professional Notes and Research Resources
  2. pp. 473-480
  3. DOI: https://doi.org/10.2979/blc.00024
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