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In this Issue

Table of Contents

  1. Editorial Comment
  2. Ariel Nereson
  3. pp. ix-x
  4. DOI: https://doi.org/10.1353/tj.2024.a929508
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  1. Chinese American Identity, Performance, and Immigration Law: Jue Quon Tai in Theatres and at National Borders
  2. Maria De Simone
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/tj.2024.a929509
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  1. Democracy, “Democracy (Reprise),” and the Asian American Ambivalence of Soft Power
  2. Donatella Galella
  3. pp. 23-43
  4. DOI: https://doi.org/10.1353/tj.2024.a929510
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  1. Performing Sphagnum: Ecological Ethics in Cryptic’s Below the Blanket
  2. Angenette Spalink
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/tj.2024.a929511
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  1. How to Be Human in Drone Culture: In Search of a Pharmacological Recompense through Performance
  2. Eirini Nedelkopoulou
  3. pp. 63-84
  4. DOI: https://doi.org/10.1353/tj.2024.a929512
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  1. Torera by Monet Hurst-Mendoza (review)
  2. Weston Twardowski
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/tj.2024.a929513
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  1. The Headlands by Christopher Chen (review)
  2. Janine Sun Rogers
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/tj.2024.a929514
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  1. Miss Saigon by Alain Boublil and Claude-Michel Schönberg (review)
  2. Jayoon Byeon, Jodie Passey
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/tj.2024.a929515
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  1. Shane by Karen Zacarías (review)
  2. Robert Hubbard
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/tj.2024.a929516
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  1. Fat Ham by James Ijames, and: White Girl in Danger by Michael R. Jackson (review)
  2. Kevin Byrne
  3. pp. 93-96
  4. DOI: https://doi.org/10.1353/tj.2024.a929517
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  1. Mahabharata by Ravi Jain and Miriam Fernandes (review)
  2. Stephen Low
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/tj.2024.a929518
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  1. The Wife of Willesden by Zadie Smith (review)
  2. Carla Neuss
  3. pp. 99-102
  4. DOI: https://doi.org/10.1353/tj.2024.a929519
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  1. 76th Festival D’avignon (review)
  2. Ljubiša Matić
  3. pp. 102-106
  4. DOI: https://doi.org/10.1353/tj.2024.a929520
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  1. Evita by Andrew Lloyd Webber (review)
  2. Ryan McKinney
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/tj.2024.a929521
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  1. Parade by Alfred Uhry (review)
  2. I. B. Hopkins
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/tj.2024.a929522
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  1. Kpop by Jason Kim (review)
  2. Kyungjin Jo
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/tj.2024.a929523
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  1. Stars: An Afrofuturist Space Odyssey by Mojisola Adebayo (review)
  2. Isabel Stuart
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/tj.2024.a929524
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  1. Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces by Joanne Tompkins (review)
  2. Sarah Bay-Cheng
  3. pp. 115-116
  4. DOI: https://doi.org/10.1353/tj.2024.a929525
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  1. Macbeth in Harlem: Black Theater in America From The Beginning to Raisin in the Sun by Clifford Mason (review)
  2. Cheryl Black
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/tj.2024.a929526
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  1. The Theater of Narration: From the Peripheries of History to the Main Stages of Italy by Juliet Guzzetta (review)
  2. Stefano Boselli
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/tj.2024.a929527
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  1. Mussolini’s Theatre: Fascist Experiments in Art and Politics by Patricia Gaborik (review)
  2. Alessandro Clericuzio
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/tj.2024.a929528
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  1. Robert Lepage’s Original Stage Productions: Making Theatre Global by Karen Fricker (review)
  2. Aleksandar Dundjerovic
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/tj.2024.a929529
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  1. Theatre in Market Economies by Michael McKinnie (review)
  2. Alex Ferrone
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/tj.2024.a929530
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  1. Minor China: Method, Materialisms, and the Aesthetic By Hentyle Yapp (review)
  2. Ethan Fukuto
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/tj.2024.a929531
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  1. In The Lurch: Verbatim Theater and the Crisis of Democratic Deliberation by Ryan Claycomb (review)
  2. Megan Lewis
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/tj.2024.a929532
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  1. Rediscovering Stanislavsky by Maria Shevtsova (review)
  2. Alisa Ballard Lin
  3. pp. 126-127
  4. DOI: https://doi.org/10.1353/tj.2024.a929533
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  1. Black Theater, City Life: African American Art Institutions and Urban Cultural Ecologies by Macelle Mahala (review)
  2. Sandra M. Mayo
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/tj.2024.a929534
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  1. Radical Black Theatre in the New Deal by Kate Dossett (review)
  2. Elizabeth A. Osborne
  3. pp. 129-130
  4. DOI: https://doi.org/10.1353/tj.2024.a929535
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  1. Surface Relations: Queer Forms of Asian American Inscrutability by Vivian L. Huang (review)
  2. Takeo Rivera
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/tj.2024.a929536
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  1. Play Time: Gender, Anti-Semitism and Temporality in Medieval Biblical Drama by Daisy Black (review)
  2. Christopher Swift
  3. pp. 132-133
  4. DOI: https://doi.org/10.1353/tj.2024.a929537
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  1. At The Edges of Sleep: Moving Images and Somnolent Spectators by Jean Ma (review)
  2. Xueli Wang
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/tj.2024.a929538
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  1. Many Rammans in Uttarakhand: Jak and Bhumyal Renditions
  2. Prateek
  3. pp. E-1-E-9
  4. DOI: https://doi.org/10.1353/tj.2024.a929507
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