In this Issue

Table of Contents

The African American Collections Relating to Music at Emory University’s Rose Library

Peter Shirts
pp. 605-631
DOI: https://doi.org/10.1353/not.2024.a928765
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“Prices of Music Monographs and Scores as Reflected in Notes”: A History of and Future for the Column

Elizabeth Berndt
pp. 632-635
DOI: https://doi.org/10.1353/not.2024.a928766
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Notes for Notes

Jane Gottlieb, Monica Fonorow, Liza Vick
pp. 636-637
DOI: https://doi.org/10.1353/not.2024.a928767
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Careers in Music Libraries IV ed. by Misti Shaw and Susannah Cleveland (review)

James P. Cassaro
pp. 638-640
DOI: https://doi.org/10.1353/not.2024.a928768
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Music Collection Development and Management in the Digital Age by Kirstin Dougan Johnson (review)

Peter Shirts
pp. 640-643
DOI: https://doi.org/10.1353/not.2024.a928769
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Stories and Lessons from the World’s Leading Opera, Orchestra Librarians, and Music Archivists by Patrick Lo et al (review)

Sarah Mason
pp. 643-645
DOI: https://doi.org/10.1353/not.2024.a928770
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Computing Taste: Algorithms and the Makers of Music Recommendation by Nick Seaver (review)

Siel Agugliaro
pp. 645-648
DOI: https://doi.org/10.1353/not.2024.a928771
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Music for Prime Time: A History of American Television Themes and Scoring by Jon Burlingame (review)

Paul Allen Sommerfeld
pp. 649-651
DOI: https://doi.org/10.1353/not.2024.a928772
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Live Music in America: A History from Jenny Lind to Beyoncé by Steve Waksman (review)

Chris Durman
pp. 651-654
DOI: https://doi.org/10.1353/not.2024.a928773
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Vaughan Williams and His World ed. by Byron Adams and Daniel M. Grimley (review)

Ryan Ross
pp. 654-663
DOI: https://doi.org/10.1353/not.2024.a928774
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Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)

Julian Onderdonk
pp. 663-666
DOI: https://doi.org/10.1353/not.2024.a928775
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The Music of Peter Maxwell Davies by Nicholas Jones and Richard McGregor (review)

Trevor R. Nelson
pp. 666-669
DOI: https://doi.org/10.1353/not.2024.a928776
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Schubert’s Workshop by Brian Newbould (review)

Richard Kramer
pp. 669-672
DOI: https://doi.org/10.1353/not.2024.a928777
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Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933 by Emily MacGregor (review)

Matthew Mugmon
pp. 671-675
DOI: https://doi.org/10.1353/not.2024.a928778
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French Art Song: History of a New Music, 1870–1914 by Emily Kilpatrick (review)

Keith E. Clifton
pp. 675-678
DOI: https://doi.org/10.1353/not.2024.a928779
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Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers by Mary Rodgers and Jesse Green (review)

Geoffrey Block
pp. 678-684
DOI: https://doi.org/10.1353/not.2024.a928780
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Madama Butterfly/Madamu Batafurai: Transpositions of a “Japanese Tragedy” by Arthur Groos (review)

Harry N. Dunstan, Kay Krekow
pp. 684-687
DOI: https://doi.org/10.1353/not.2024.a928781
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The Musical Language of Italian Opera, 1813–1859 by William Rothstein (review)

Steven D. Mathews
pp. 687-690
DOI: https://doi.org/10.1353/not.2024.a928782
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Easily Slip into Another World: A Life in Music by Henry Threadgill and Brent Hayes Edwards (review)

Edward Komara
pp. 690-693
DOI: https://doi.org/10.1353/not.2024.a928783
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American Popular Song: The Great Innovators, 1900–1950 by Alec Wilder (review)

John Check
pp. 693-695
DOI: https://doi.org/10.1353/not.2024.a928784
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Women in Rock, Women in Romanticism ed. by James Rovira (review)

Kari Lindquist
pp. 695-698
DOI: https://doi.org/10.1353/not.2024.a928785
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Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America by Nicholas Tochka (review)

Brian F. Wright
pp. 698-700
DOI: https://doi.org/10.1353/not.2024.a928786
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Musicology of Religion: Theories, Methods, and Directions by Guy L. Beck (review)

Martin V. Clarke
pp. 700-703
DOI: https://doi.org/10.1353/not.2024.a928787
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Chants, Hypertext, and Prosulas: Re-texting the Proper of the Mass in Beneventan Manuscripts by Luisa Nardini (review)

Bradford Lee Eden
pp. 703-705
DOI: https://doi.org/10.1353/not.2024.a928788
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The American Piano Industry: Episodes in the History of a Great Enterprise by William E. Hettrick (review)

Sarah Deters
pp. 706-707
DOI: https://doi.org/10.1353/not.2024.a928789
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Josef Hofmann: The Piano’s Forgotten Giant by Elizabeth Carr (review)

Donald Manildi
pp. 708-711
DOI: https://doi.org/10.1353/not.2024.a928790
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On Minimalism: Documenting a Musical Movement ed. by Kerry O’Brien and William Robin (review)

Kristen Wallentinsen
pp. 711-716
DOI: https://doi.org/10.1353/not.2024.a928791
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The Way of the Moderns: Six Perspectives on Modernism in Music ed. by Antoni Pizà (review)

Neil M. Frau-Cortes
pp. 716-717
DOI: https://doi.org/10.1353/not.2024.a928792
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Books Recently Published

James Procell, Matthew Ertz
pp. 718-726
DOI: https://doi.org/10.1353/not.2024.a928793
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Dwadzieścia etiud i preludiów = Twenty Etudes and Preludes by Maria Szymanowska

Sławomir Dobrzański
pp. 727-730
DOI: https://doi.org/10.1353/not.2024.a928794
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Symphonie Nr. 5 in E major (“Lenore”), Op. 177 by Joachim Raff (review)

Marie Sumner Lott
pp. 731-734
DOI: https://doi.org/10.1353/not.2024.a928795
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Music Received

Katharina Mueller
pp. 735-739
DOI: https://doi.org/10.1353/not.2024.a928796
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Index to Advertisers

p. 741
DOI: https://doi.org/10.1353/not.2024.a928797
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Cumulative Index to Advertisers Volume 80

p. 753
DOI: https://doi.org/10.1353/not.2024.a928798
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