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Table of Contents

  1. Awards
  2. pp. iv-v
  3. DOI: https://doi.org/10.1353/sel.2024.a927930
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  1. Envy, Jealousy, and Emulation: Affective Rivalry in The Shepheardes Calender
  2. Bradley J. Irish
  3. pp. 271-300
  4. DOI: https://doi.org/10.1353/sel.2024.a927931
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  1. Conscience in Hamlet and Claudius
  2. Joshua R. Held
  3. pp. 301-321
  4. DOI: https://doi.org/10.1353/sel.2024.a927932
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  1. “Infect in Similitude” and Shakespeare’s Hamlet
  2. Lauren Weindling
  3. pp. 323-345
  4. DOI: https://doi.org/10.1353/sel.2024.a927933
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  1. “Wanton Child”: Infanticide, Abortion, and Monstrous Birth in Mary Wroth’s Pamphilia to Amphilanthus
  2. Rhema Hokama
  3. pp. 347-372
  4. DOI: https://doi.org/10.1353/sel.2024.a927934
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  1. Funerary Epigraphy and the Form of George Herbert’s “The Water-course”
  2. John Kuhn
  3. pp. 373-399
  4. DOI: https://doi.org/10.1353/sel.2024.a927935
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  1. Milton’s Tenderness: Post-Critique and Its Limits in Comus
  2. Jason Peters
  3. pp. 401-422
  4. DOI: https://doi.org/10.1353/sel.2024.a927936
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  1. Books Received in English Renaissance Studies
  2. Logan D. Browning
  3. pp. 423-427
  4. DOI: https://doi.org/10.1353/sel.2024.a927937
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  1. Books Received in Tudor and Stuart Drama Studies
  2. Logan D. Browning
  3. pp. 429-434
  4. DOI: https://doi.org/10.1353/sel.2024.a927938
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