In this Issue

Table of Contents

Song, Dance, and Sex: The Social Role of the Carole in Thirteenth-Century Clerical Thought and Vernacular Literature

Matthew P. Thomson
pp. 153-176
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The Liber de tribus ordinibus: Identifying a Treatise Quoted in the Fourteenth-Century Commentum Oxoniense

Elżbieta Witkowska-Zaremba
pp. 177-201
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Mahler's Symphony No. 1 in the Centre and on the Periphery

Leah Batstone
pp. 202-221
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'I have just written a song which came out of my soul': Lay Music Production and the Death of President John F. Kennedy

Jennifer Clark, H. E. R. Grigg, Jemima Schortz
pp. 222-240
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Music, Politics and Society in Ancient Rome by Harry Morgan (review)

Leofranc Holford-Strevens
pp. 241-243
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Fragments notés: Paris, Archives Nationales et Solesmes, Abbaye Saint-Pierre by Laura Albiero and Christian Meyer (review)

Giovanni Varelli
pp. 243-244
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Music and Musicians at the Collegiate Church of St Omer: Crucible of Song, 1350–1550 by Andrew Kirkman (review)

Grantley McDonald
pp. 244-247
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George Herbert and Early Modern Musical Culture by Simon Jackson (review)

Peter Walls
pp. 247-250
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Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution by David Charlton (review)

Michael Fend
pp. 251-253
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Vivre de la musique à Rome au XVIIIe siècle by Élodie Oriol (review)

Michela Berti
pp. 254-255
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Genealogies of Music and Memory: Gluck in the 19th-Century Parisian Imagination by Mark Everist (review)

William Gibbons
pp. 255-258
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Beethoven's Conversation Books, iv: Nos. 32 to 43 (May 1823 to September 1823) ed. by Theodore Albrecht (review)

Barry Cooper
pp. 258-260
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Ludwig van Beethoven: A Very Short Introduction by Mark Evan Bonds (review)

Barry Cooper
pp. 260-261
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England's Folk Revival and the Problem of Identity in Traditional Music by Joseph Williams (review)

Steve Roud
pp. 261-263
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The Music of Frederick Delius: Style, Form and Ethos by Jeremy Dibble (review)

Anthony Gritten
pp. 263-265
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Madama Butterfly/Madamu Batafurai: Transpositions of a 'Japanese Tragedy' by Arthur Groos (review)

W. Anthony Sheppard
pp. 265-267
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Music in Twentieth-Century Oxford: New Directions ed. by Robin Darwall-Smith and Susan Wollenberg (review)

David C. H. Wright
pp. 267-270
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Revisiting the Historiography of Postwar Avant-Garde Music ed. by Anne-Sylvie Barthel-Calvet and Christopher Brent Murray (review)

Max Erwin
pp. 270-272
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On Minimalism: Documenting a Musical Movement ed. by Kerry O'Brien and William Robin (review)

Keith Potter
pp. 272-275
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The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute by Patrick Nickleson (review)

Kyle Gann
pp. 275-277
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The Stage Works of Philip Glass by Robert F. Waters (review)

Jelena Novak
pp. 277-279
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Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives ed. by Mark Delaere (review)

Andy Hamilton
pp. 279-281
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Correspondence: To the Editors of 'Music & Letters'

Alexander H. Shapiro
pp. 282-283
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'Music & Letters' Awards

p. 286
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Authors of Articles in this Issue

pp. 287-288
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Recipients of 'Music & Letters Awards'

p. 289
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