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Table of Contents

  1. Contributors
  2. pp. ii-iii
  3. DOI: https://doi.org/10.1353/sew.2024.a926954
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  1. Corona
  2. John Jeremiah Sullivan
  3. pp. 157-163
  4. DOI: https://doi.org/10.1353/sew.2024.a926955
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  1. Till It and Keep It
  2. Carrie R. Moore
  3. pp. 164-199
  4. DOI: https://doi.org/10.1353/sew.2024.a926956
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  1. The World As It Was
  2. Didi Jackson
  3. p. 200
  4. DOI: https://doi.org/10.1353/sew.2024.a926957
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  1. Long Sleeves
  2. Kanak Kapur
  3. pp. 201-220
  4. DOI: https://doi.org/10.1353/sew.2024.a926958
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  1. From the Other Side of a Migratory Silence: On the Work of Patricia Smith
  2. Joy Priest
  3. pp. 221-247
  4. DOI: https://doi.org/10.1353/sew.2024.a926959
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  1. We Just Waiting for J’s Liquor to Open on Up, and: It’s Pinned Above My Desk—That Picture, and: Just Another Day in Fourth Grade
  2. Patricia Smith
  3. pp. 248-252
  4. DOI: https://doi.org/10.1353/sew.2024.a926960
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  1. Things of My Mother’s
  2. Jacky Grey
  3. pp. 253-277
  4. DOI: https://doi.org/10.1353/sew.2024.a926961
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  1. Still Life With Sky, Coffee, Tulips, Anna Karenina, and God
  2. Shannon Pratson
  3. pp. 278-279
  4. DOI: https://doi.org/10.1353/sew.2024.a926962
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  1. Girabella
  2. Maeve Barry
  3. pp. 280-288
  4. DOI: https://doi.org/10.1353/sew.2024.a926963
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  1. Maze, and: Maze, and: Maze
  2. Richie Hofmann
  3. pp. 289-294
  4. DOI: https://doi.org/10.1353/sew.2024.a926964
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  1. On Get Back
  2. Lorrie Moore
  3. pp. 295-309
  4. DOI: https://doi.org/10.1353/sew.2024.a926965
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  1. This Sort of Thing: On Heather Lewis’s Notice
  2. Hannah Bonner
  3. pp. 310-318
  4. DOI: https://doi.org/10.1353/sew.2024.a926966
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  1. Domme Song 7
  2. Michael Robbins
  3. p. 319
  4. DOI: https://doi.org/10.1353/sew.2024.a926967
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  1. From Ganges to Hudson
  2. Buku Sarkar
  3. pp. 320-343
  4. DOI: https://doi.org/10.1353/sew.2024.a926968
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  1. The Profoundest Interruption: In Defense of Distraction
  2. Caitlin Horrocks
  3. pp. 344-364
  4. DOI: https://doi.org/10.1353/sew.2024.a926969
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