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In this Issue

Table of Contents

  1. From the Mast-Head
  2. Brian Yothers
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/lvn.2024.a925507
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  1. Windmills, Whales, and Democracy’s Mad Enchanters
  2. Kenyon Gradert
  3. pp. 5-29
  4. DOI: https://doi.org/10.1353/lvn.2024.a925508
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  1. Foils and Fools: “Bartleby” and the Failure of Romantic Possibility
  2. François Specq
  3. pp. 30-48
  4. DOI: https://doi.org/10.1353/lvn.2024.a925509
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  1. Stage Props, Distorting Mirrors, and the Aesthetics of Incompletion: Metafictional Turns in Pierre and Mardi
  2. Giacomo Traina
  3. pp. 49-65
  4. DOI: https://doi.org/10.1353/lvn.2024.a925510
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  1. Twenty-three Melville Letters That Have Appeared Since 1993: An Addendum to the Correspondence Volume
  2. John M. J. Gretchko
  3. pp. 66-82
  4. DOI: https://doi.org/10.1353/lvn.2024.a925511
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  1. Melville, Beauty, and American Literary Studies: An Aesthetics in All Things by Cody Marrs (review)
  2. Geoffrey Sanborn
  3. pp. 85-89
  4. DOI: https://doi.org/10.1353/lvn.2024.a925512
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  1. Melvillean Parasites by Anders M. Gullestad (review)
  2. Tom Nurmi
  3. pp. 90-94
  4. DOI: https://doi.org/10.1353/lvn.2024.a925513
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  1. All Astir
  2. Mary K. Bercaw Edwards
  3. pp. 97-106
  4. DOI: https://doi.org/10.1353/lvn.2024.a925514
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  1. Melville Society—Bezanson Archive Fellowship 2023
  2. Arturo Corujo
  3. pp. 107-115
  4. DOI: https://doi.org/10.1353/lvn.2024.a925515
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