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Table of Contents

  1. Erratum
  2. p. v
  3. DOI: https://doi.org/10.1353/ari.2024.a925426
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  1. Saprophytic: Decomposition and Tropical Environmental Time in Caribbean Literature
  2. Suzanne F. Boswell
  3. pp. 1-30
  4. DOI: https://doi.org/10.1353/ari.2024.a925427
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  1. "Odd but recognizable": Indigenous Epistemologies and Indo-Creole Belonging in Cyril Dabydeen's Dark Swirl
  2. Najnin Islam
  3. pp. 31-58
  4. DOI: https://doi.org/10.1353/ari.2024.a925428
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  1. Power, Painting, and Poetry: Mixed-Race Ekphrasis in Natasha Trethewey's Thrall
  2. Juliann Knaus
  3. pp. 59-84
  4. DOI: https://doi.org/10.1353/ari.2024.a925429
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  1. Dancing Bodies in Zadie Smith's Swing Time
  2. Karen Ya-Chu Yang
  3. pp. 85-108
  4. DOI: https://doi.org/10.1353/ari.2024.a925430
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  1. Camptown Dwelling: Environment and Survival in Memories of My Ghost Brother
  2. Ling Liu
  3. pp. 109-134
  4. DOI: https://doi.org/10.1353/ari.2024.a925431
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  1. Literary Rebels: A History of Creative Writers in Anglo-American Universities by Lise Jaillant (review)
  2. Naomi Booth
  3. pp. 135-138
  4. DOI: https://doi.org/10.1353/ari.2024.a925432
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  1. Creative Lives: Interviews with Contemporary South Asian Diaspora Writers ed. by Chandani Lokugé and Chris Ringrose (review)
  2. David Callahan
  3. pp. 138-141
  4. DOI: https://doi.org/10.1353/ari.2024.a925433
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  1. Transnational Culture in the Iranian Armenian Diaspora by Claudia Yaghoobi (review)
  2. Marzia Milazzo
  3. pp. 141-145
  4. DOI: https://doi.org/10.1353/ari.2024.a925434
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  1. Contributors
  2. pp. 147-148
  3. DOI: https://doi.org/10.1353/ari.2024.a925435
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