In this Issue
Publishing since 1977, Indiana Theory Review provides a venue for creative and imaginative articles on music theory, a forum for the thoughtful exchange of ideas and directions in the field through letters and editorial comments, and an opportunity for review of books and periodicals dealing with a variety of music subjects. Formerly semiannual prior to volume 37, each annual peer-reviewed issue showcases the basic philosophy of sound scholarship and high quality performance as the hallmarks of superior music education. Indiana Theory Review is sponsored by Indiana University’s Jacobs School of Music, its Department of Music Theory, and the Graduate Theory Association.
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Indiana University Pressviewing issue
Volume 39, Spring 2024Table of Contents
pp. 1-26
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View Opening the “Door”: A Multifaceted Approach to the Analysis of Text Setting in the Third Movement of Kate Soper’s “Door” (2007)
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Opening the “Door”: A Multifaceted Approach to the Analysis of Text Setting in the Third Movement of Kate Soper’s “Door” (2007)
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pp. 27-59
pp. 60-84
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View Cadential Play in the Finale of Antonín Dvořák’s Symphony No. 9 in E minor, Op. 95, “From the New World”
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Cadential Play in the Finale of Antonín Dvořák’s Symphony No. 9 in E minor, Op. 95, “From the New World”
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pp. 146-167
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| ISSN | 2474-7777 |
|---|---|
| Print ISSN | 0271-8022 |
| Launched on MUSE | 2024-03-28 |
| Open Access | No |
