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Table of Contents

  1. A Note from the Editors
  2. p. ix
  3. DOI: https://doi.org/10.1353/sif.2024.a923179
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  1. Horror Noire: An Introduction
  2. Stefanie K. Dunning
  3. pp. 1-13
  4. DOI: https://doi.org/10.1353/sif.2024.a923180
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  1. “The name is Blacula!”: Identity and Palimpsest in William Marshall’s Vampire Diptych
  2. Tony Perrello, Nathan Wilke
  3. pp. 14-38
  4. DOI: https://doi.org/10.1353/sif.2024.a923181
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  1. “Unimaginable from this distance”: Get Out, Black Speculative Horror, and Captive Embodiment
  2. Candice M. Jenkins
  3. pp. 39-59
  4. DOI: https://doi.org/10.1353/sif.2024.a923182
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  1. The Blackout in Stepford and the Shadow of Southern Horror
  2. Riché Richardson
  3. pp. 60-93
  4. DOI: https://doi.org/10.1353/sif.2024.a923183
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  1. Hands across Black America: Visions of Isolation and Social Life in Modern Black Horror Film
  2. Andrés Emil González
  3. pp. 94-123
  4. DOI: https://doi.org/10.1353/sif.2024.a923184
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  1. Afrofuturist Horror on the Western Frontier: Capitalism’s Reckoning and Queer Possibilities in Jordan Peele’s Nope
  2. Hilary R. MezaGuerra
  3. pp. 124-155
  4. DOI: https://doi.org/10.1353/sif.2024.a923185
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  1. “Tilt the mirror”: An Interview with Tananarive Due
  2. Christina Connor
  3. pp. 156-169
  4. DOI: https://doi.org/10.1353/sif.2024.a923186
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  1. Still Hanging Around: A Review of Haunting Poe: His Afterlife in Richmond & Beyond by Christopher P. Semtner (review)
  2. John A. Dern
  3. pp. 170-175
  4. DOI: https://doi.org/10.1353/sif.2024.a923187
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  1. Notes on the Contributors
  2. pp. 176-178
  3. DOI: https://doi.org/10.1353/sif.2024.a923188
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