In this Issue

Table of Contents

Editorial Comment: Informal Archives, Remediations, and Disciplinary Desires

Laura Edmondson
pp. xi-xxvii
DOI: https://doi.org/10.1353/tj.2023.a922209
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Theatre and Capital Once Again: An Essay on an Informal Archive

Loren Kruger
pp. 389-397
DOI: https://doi.org/10.1353/tj.2023.a922210
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“Moving Through and Beyond”: Asian American Theatre and Performance Studies

Josephine Lee
pp. 399-411
DOI: https://doi.org/10.1353/tj.2023.a922211
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A Set of Questions for a Field in Motion: Susan Leigh Foster’s “Choreographies of Protest” and Dance Studies in Theatre Journal

Alison Bory, Ariel Nereson
pp. 413-423
DOI: https://doi.org/10.1353/tj.2023.a922212
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The Digital Turn: Research and Publishing in Theatre Journal

Joanne Tompkins
pp. 425-436
DOI: https://doi.org/10.1353/tj.2023.a922213
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In Praise of Performance Reviews

Isaiah Matthew Wooden
pp. 437-443
DOI: https://doi.org/10.1353/tj.2023.a922214
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Passing Theatre

W. B. Worthen
pp. 445-454
DOI: https://doi.org/10.1353/tj.2023.a922215
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Catastrophe Practices and the Ontological Gambit: Nicholas Mosley’s Plays for Not Acting

Andrew Sofer
pp. 455-467
DOI: https://doi.org/10.1353/tj.2023.a922216
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Revisiting (and Revising) West Side Story’s Parahistories

Brian Eugenio Herrera
pp. 469-483
DOI: https://doi.org/10.1353/tj.2023.a922217
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“Hold on to That Feeling”: Disciplinary Formations and Asian B-Sides

Broderick Chow
pp. 485-496
DOI: https://doi.org/10.1353/tj.2023.a922218
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On Inclusion and Resurgence: The State of North American Indigenous Theatre and Performance Scholarship

Bethany Hughes
pp. 497-509
DOI: https://doi.org/10.1353/tj.2023.a922219
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Seeking Critical Frameworks for Global Majority Theatre

Anita Gonzalez
pp. 511-517
DOI: https://doi.org/10.1353/tj.2023.a922220
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Power and Theory: Structural Racism and Zones of Sanctioned Ignorance

Dorinne Kondo
pp. 519-532
DOI: https://doi.org/10.1353/tj.2023.a922221
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Nonhuman Futures

Jennifer Parker-Starbuck
pp. 533-546
DOI: https://doi.org/10.1353/tj.2023.a922222
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Afterword: Performance Studies Reorient

Sean Metzger
pp. 547-552
DOI: https://doi.org/10.1353/tj.2023.a922223
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Between Two Knees by Eric Ting (review)

Karen Alvarado, John M. Meyer
pp. 553-555
DOI: https://doi.org/10.1353/tj.2023.a922224
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The Burnt City by Felix Barrett and Maxine Doyle (review)

Jonathan Chambers
pp. 555-557
DOI: https://doi.org/10.1353/tj.2023.a922225
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1776 (review)

Jennifer A. Low
pp. 558-560
DOI: https://doi.org/10.1353/tj.2023.a922226
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Some Like It Hot (review)

Emily G. Furlich
pp. 560-562
DOI: https://doi.org/10.1353/tj.2023.a922227
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The Porch on Windy Hill (review)

Heather Grimm
pp. 562-564
DOI: https://doi.org/10.1353/tj.2023.a922228
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New-Illusion (review)

Kyueun Kim
pp. 564-567
DOI: https://doi.org/10.1353/tj.2023.a922229
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Metamorphosis of a Living Room (Ribingu Rūmu Metamoruflshizu) (review)

Beri Juraic
pp. 567-570
DOI: https://doi.org/10.1353/tj.2023.a922230
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Prague Quadrennial (review)

Alicia Corts
pp. 570-575
DOI: https://doi.org/10.1353/tj.2023.a922231
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Kate (review)

Daniel Sack
pp. 576-577
DOI: https://doi.org/10.1353/tj.2023.a922232
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Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin by Brandon Woolf (review)

James R. Ball III
pp. 579-580
DOI: https://doi.org/10.1353/tj.2023.a922233
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Dream Projects in Theatre, Novels and Films: The Works of Paul Claudel, Jean Genet, and Federico Fellini by Yehuda Moraly (review)

Clare Finburgh Delijani
pp. 580-582
DOI: https://doi.org/10.1353/tj.2023.a922234
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The Lines Between The Lines: How Stage Directions Affect Embodiment by Bess Rowen (review)

Tyler Graham
pp. 582-583
DOI: https://doi.org/10.1353/tj.2023.a922235
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To Be Nsala’s Daughter: Decomposing the Colonial Gaze by Chérie N. Rivers (review)

Rachel Kabukala
pp. 583-584
DOI: https://doi.org/10.1353/tj.2023.a922236
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Baroque Modernity: An Aesthetic of Theater by Joseph Cermatori (review)

David Krasner
pp. 584-586
DOI: https://doi.org/10.1353/tj.2023.a922237
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Rising Up, Living On: Re-Existences, Sowings, and Decolonial Cracks by Catherine E. Walsh (review)

Maryam Ivette Parhizkar
pp. 586-587
DOI: https://doi.org/10.1353/tj.2023.a922238
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Mel Brooks: Disobedient Jew by Jeremy Dauber (review)

Brynn W. Shiovitz
pp. 589-590
DOI: https://doi.org/10.1353/tj.2023.a922240
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Disappearing Rooms: The Hidden Theaters of Immigration Law by Michelle Castañeda (review)

Jennifer Tyburczy
pp. 590-592
DOI: https://doi.org/10.1353/tj.2023.a922241
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Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)

Charmian Wells
pp. 592-594
DOI: https://doi.org/10.1353/tj.2023.a922242
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When Words Are Inadequate: Modern Dance and Transnationalism in China by Nan Ma (review)

Yao Xu
pp. 594-595
DOI: https://doi.org/10.1353/tj.2023.a922243
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Trans Care by Hil Malatino (review)

Dan Paz
pp. 597-589
DOI: https://doi.org/10.1353/tj.2023.a922239
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Index to Volume 75

pp. 605-609
DOI: https://doi.org/10.1353/tj.2023.a922244
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Capaciousness, Access, and Pedagogy: A Conversation with Karen Shimakawa

Karen Shimakawa, Carla Neuss
pp. E-103-E-107
DOI: https://doi.org/10.1353/tj.2023.a922319
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It’s Not the What, But the How: A Conversation with Patricia Ybarra

Patricia Ybarra, Carla Neuss
pp. E-109-E-120
DOI: https://doi.org/10.1353/tj.2023.a922320
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The Once and Future TAPS: A Conversation with Harvey Young

Harvey Young, Carla Neuss
pp. E-121-E-130
DOI: https://doi.org/10.1353/tj.2023.a922314
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Four Notes on Six Conversations

Carla Neuss
pp. E-67-E-69
DOI: https://doi.org/10.1353/tj.2023.a922315
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Virality, Plurality, and the Future of Discourse: A Conversation with Rustom Bharucha

Rustom Bharucha, Carla Neuss
pp. E-71-E-80
DOI: https://doi.org/10.1353/tj.2023.a922316
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On Editing, Paying it Forward, and Having Energy: A Conversation with Jean Graham-Jones, Former Editor

Jean Graham-Jones, Carla Neuss
pp. E-81-E-89
DOI: https://doi.org/10.1353/tj.2023.a922317
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The Long View—Recollections, Remembrances, and Recommendations for Theatre Journal: A Conversation with Joseph Roach

Joseph Roach, Carla Neuss
pp. E-91-E-101
DOI: https://doi.org/10.1353/tj.2023.a922318
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