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In this Issue

Table of Contents

  1. Image
  3. p. 1
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  1. Aesthetics and their Aftermath
  2. Maxe Crandall
  3. pp. 2-3
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  1. Art in and for a Democracy
  2. Dudley Cocke
  3. pp. 7-8
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  1. Still Exhausted: Introduction
  2. Catie Cuan, Douglas Eacho, Sydney Skybetter
  3. pp. 10-18
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  1. The Work of Art in the Age of Digital Commodification: The Digital Political Economy of the Performing Arts
  2. Sam Gill, Annie Dorsen
  3. pp. 19-50
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  1. Training Humans Not Machines: Artificial Intelligence and the Performance Culture of Its Critique
  2. Lisa Moravec
  3. pp. 51-69
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  1. Performing AI: Labor and Complexity on the Contemporary Stage
  2. Marc-André Cossette, Chris Salter
  3. pp. 70-86
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  1. What Other Movement Is There?: Rethinking Human-Robot Interaction through the Lens of Dance Performance
  2. Kate Maguire-Rosier, Naoko Abe, Fiona Andreallo
  3. pp. 87-103
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  1. Live Notation for Patterns of Movement
  2. Alex McLean, Kate Sicchio
  3. pp. 104-116
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  1. The Human Labor of Digital Humanities: A Note from the Trenches of Fabula(b) Theatre + New Media Lab
  2. E.B. Hunter
  3. pp. 117-131
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  1. Presence and Physiovalence: Artful Resistance against the Neoliberal Digitization of Our Lives
  2. Ken Ueno
  3. pp. 132-141
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  1. I Become a Pattern
  2. Lisa Talia Moretti
  3. p. 142
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  1. In Memory of the Q-File: Spontaneity, Digital Automation, and Deskilling in Theatre Lighting
  2. Martin Young
  3. pp. 143-156
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  1. The “Joy Hook,” “Weird Feedback Loops,” “Quick Hit Pieces,” and “Usefulness”: Covering Digital Dance in Digital Journalism
  2. Alexandra Harlig, Makeda Easter, Margaret Fuhrer
  3. pp. 157-169
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  1. Mobilizing Workers Poetry: A Pedagogical Journal
  2. Ilinca Todorut
  3. pp. 170-184
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  1. Mobilizing and Sustaining Affect: Collective Awareness as Leverage for Social Change
  2. Ana Pais
  3. pp. 186-190
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  1. Breathing Down My Neck: Nonfiction Gone Wrong
  2. Lisa Müller-Trede
  3. p. 191
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