In this Issue

Table of Contents

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p. 1
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Aesthetics and their Aftermath

Maxe Crandall
pp. 2-3
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Art in and for a Democracy

Dudley Cocke
pp. 7-8
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Still Exhausted: Introduction

Catie Cuan, Douglas Eacho, Sydney Skybetter
pp. 10-18
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The Work of Art in the Age of Digital Commodification: The Digital Political Economy of the Performing Arts

Sam Gill, Annie Dorsen
pp. 19-50
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Training Humans Not Machines: Artificial Intelligence and the Performance Culture of Its Critique

Lisa Moravec
pp. 51-69
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Performing AI: Labor and Complexity on the Contemporary Stage

Marc-André Cossette, Chris Salter
pp. 70-86
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What Other Movement Is There?: Rethinking Human-Robot Interaction through the Lens of Dance Performance

Kate Maguire-Rosier, Naoko Abe, Fiona Andreallo
pp. 87-103
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Live Notation for Patterns of Movement

Alex McLean, Kate Sicchio
pp. 104-116
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The Human Labor of Digital Humanities: A Note from the Trenches of Fabula(b) Theatre + New Media Lab

E.B. Hunter
pp. 117-131
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Presence and Physiovalence: Artful Resistance against the Neoliberal Digitization of Our Lives

Ken Ueno
pp. 132-141
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I Become a Pattern

Lisa Talia Moretti
p. 142
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In Memory of the Q-File: Spontaneity, Digital Automation, and Deskilling in Theatre Lighting

Martin Young
pp. 143-156
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The “Joy Hook,” “Weird Feedback Loops,” “Quick Hit Pieces,” and “Usefulness”: Covering Digital Dance in Digital Journalism

Alexandra Harlig, Makeda Easter, Margaret Fuhrer
pp. 157-169
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Mobilizing Workers Poetry: A Pedagogical Journal

Ilinca Todorut
pp. 170-184
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Mobilizing and Sustaining Affect: Collective Awareness as Leverage for Social Change

Ana Pais
pp. 186-190
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Breathing Down My Neck: Nonfiction Gone Wrong

Lisa Müller-Trede
p. 191
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