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In this Issue

Table of Contents

  1. Commerce with Montaigne
  2. Jeffrey R. Di Leo
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/abr.2023.a921772
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  1. Introduction
  2. Jessi Rae Morton
  3. pp. 13-16
  4. DOI: https://doi.org/10.1353/abr.2023.a921773
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  1. The Story of NFTs: Artists, Technology, and Democracy by Amy Whitaker and Nora Burnett Abrams (review)
  2. Jessi Rae Morton
  3. pp. 17-20
  4. DOI: https://doi.org/10.1353/abr.2023.a921774
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  1. Radical Friends: Decentralised Autonomous Organizations and the Arts ed. by Ruth Catlow and Penny Rafferty (review)
  2. Hannah Grannemann
  3. pp. 21-25
  4. DOI: https://doi.org/10.1353/abr.2023.a921775
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  1. Culture Strike: Art and Museums in an Age of Protest by Laura Raicovich (review)
  2. Terry Smith
  3. pp. 26-30
  4. DOI: https://doi.org/10.1353/abr.2023.a921776
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  1. Counter-Texts: Language in Contemporary Art by Kim Dhillon (review)
  2. Chris Colvin
  3. pp. 31-34
  4. DOI: https://doi.org/10.1353/abr.2023.a921777
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  1. The Art of Diremption: On the Powerlessness of Art by Leonhard Emmerling (review)
  2. Gavin Sourgen
  3. pp. 35-39
  4. DOI: https://doi.org/10.1353/abr.2023.a921778
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  1. My New Novel/The Down Payment by Ottessa Moshfegh and Issy Wood (review)
  2. Rene Marzuk
  3. pp. 40-43
  4. DOI: https://doi.org/10.1353/abr.2023.a921779
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  1. No, Alexa: AI Isn't Going to Destroy Art
  2. David Riddle Watson
  3. pp. 44-47
  4. DOI: https://doi.org/10.1353/abr.2023.a921780
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  1. Intervention: An Interview with Ben Okri
  2. Frederick Luis Aldama
  3. pp. 48-57
  4. DOI: https://doi.org/10.1353/abr.2023.a921781
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  1. In Search of "The Star-Spangled Banner"
  2. Anthony Madrid
  3. pp. 58-66
  4. DOI: https://doi.org/10.1353/abr.2023.a921782
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  1. Kid Coole by M. G. Stephens, and: King Ezra by M. G. Stephens (review)
  2. John Schertzer
  3. pp. 67-71
  4. DOI: https://doi.org/10.1353/abr.2023.a921783
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  1. The Illuminated Burrow by Max Blecher (review)
  2. Allan Graubard
  3. pp. 71-75
  4. DOI: https://doi.org/10.1353/abr.2023.a921784
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  1. Ride On, See You by Ann McGlinn (review)
  2. Edward M. Bury
  3. pp. 76-79
  4. DOI: https://doi.org/10.1353/abr.2023.a921785
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  1. Mr. President by Miguel Ángel Asturias (review)
  2. Vivian Arimany
  3. pp. 79-83
  4. DOI: https://doi.org/10.1353/abr.2023.a921786
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  1. Passing Again by Tom LeClair (review)
  2. Neil D. Isaacs
  3. pp. 83-87
  4. DOI: https://doi.org/10.1353/abr.2023.a921787
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  1. Twenty Stories by Jack Driscoll (review)
  2. Bob Duxbury
  3. pp. 88-92
  4. DOI: https://doi.org/10.1353/abr.2023.a921788
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  1. The Literary Assistant as Point Guard
  2. E. Ethelbert Miller
  3. pp. 93-98
  4. DOI: https://doi.org/10.1353/abr.2023.a921789
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  1. Point of View and Cognitive Mapping: The Case of Mrs. Dalloway
  2. Robert T. Tally Jr.
  3. pp. 99-104
  4. DOI: https://doi.org/10.1353/abr.2023.a921790
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  1. The Translation Stone
  2. Brian O'Keeffe
  3. pp. 105-110
  4. DOI: https://doi.org/10.1353/abr.2023.a921791
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  1. Foundlings: Found Poems from Prose by DeWitt Henry (review)
  2. Michael Joyce
  3. pp. 111-115
  4. DOI: https://doi.org/10.1353/abr.2023.a921792
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  1. Where We Lay Down by Jeffrey Franklin (review)
  2. Adam Vines
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/abr.2023.a921793
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  1. The Place Where Grief Begins by Christopher Hirschmann Brandt (review)
  2. Patricia Laurence
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/abr.2023.a921794
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  1. The Damage Done by Susana H. Case (review)
  2. Cory Massaro
  3. pp. 122-127
  4. DOI: https://doi.org/10.1353/abr.2023.a921795
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  1. Wherever I'm At: An Anthology of Chicago Poetry ed. by Donald G. Evans and Robin Metz (review)
  2. Mark Fishbein
  3. pp. 127-131
  4. DOI: https://doi.org/10.1353/abr.2023.a921796
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  1. Again, the Dawn: New and Selected Poems, 1976–2022 by Grace Shulman (review)
  2. Hilary Sideris
  3. pp. 132-136
  4. DOI: https://doi.org/10.1353/abr.2023.a921797
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  1. A Suite of Dances by Mark Weiss (review)
  2. Christopher Winks
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/abr.2023.a921798
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  1. An Appalachian Voice Speaks for Ohio: A Conversation with Kari Gunter-Seymour
  2. Renee H. Shea
  3. pp. 141-148
  4. DOI: https://doi.org/10.1353/abr.2023.a921799
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  1. The Cambridge Companion to World Crime Fiction ed. by Jesper Gulddal, Stewart King, and Alistair Rolls (review)
  2. David Riddle Watson
  3. pp. 149-153
  4. DOI: https://doi.org/10.1353/abr.2023.a921800
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  1. Criticism and Politics: A Polemical Introduction by Bruce Robbins (review)
  2. Robert T. Tally Jr.
  3. pp. 153-158
  4. DOI: https://doi.org/10.1353/abr.2023.a921801
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  1. BRUT: Writings on Art & Artists by Harold Jaffe (review)
  2. Eckhard Gerdes
  3. pp. 158-161
  4. DOI: https://doi.org/10.1353/abr.2023.a921802
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  1. The Melancholia of Class: A Manifesto for the Working Class by Cynthia Cruz (review)
  2. Josh Polinard
  3. pp. 162-165
  4. DOI: https://doi.org/10.1353/abr.2023.a921803
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  1. Particularly the Press
  2. Charles Alexander
  3. pp. 166-170
  4. DOI: https://doi.org/10.1353/abr.2023.a921804
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  1. Scenes: Soft Skull Press: An Interview with Mensah Demary
  2. pp. 171-173
  3. DOI: https://doi.org/10.1353/abr.2023.a921805
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  1. Panentheism: Ontology of the Future, or Poetics?
  2. Daniel T. O'Hara
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/abr.2023.a921806
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  1. Cormac McCarthy's Abendrot
  2. David Cowart
  3. pp. 178-182
  4. DOI: https://doi.org/10.1353/abr.2023.a921807
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