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In this Issue

Table of Contents

  1. Collecting Music among the Kharbintsy
  2. Patricia Puckett Sasser
  3. pp. 429-454
  4. DOI: https://doi.org/10.1353/not.2024.a919031
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  1. Classifying Musical Medium of Performance: Object or Property?
  2. Richard Griscom, Joshua Henry, Deborah Lee, Richard P. Smiraglia, Rick Szostak, J. Bradford Young
  3. pp. 455-472
  4. DOI: https://doi.org/10.1353/not.2024.a919032
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  1. Remembering Bill McClellan and Don Roberts
  2. D. W. Krummel
  3. pp. 473-477
  4. DOI: https://doi.org/10.1353/not.2024.a919033
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  1. Notes for Notes
  2. Ruthann McTyre, Tobias Broeker
  3. pp. 478-479
  4. DOI: https://doi.org/10.1353/not.2024.a919034
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  1. Karl Straube (1873–1950): Germany’s Master Organist in Turbulent Times by Christopher Anderson (review)
  2. Gregory Hand
  3. pp. 486-489
  4. DOI: https://doi.org/10.1353/not.2024.a919036
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  1. A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era by Geoffrey Block (review)
  2. Megan Woller
  3. pp. 489-491
  4. DOI: https://doi.org/10.1353/not.2024.a919037
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  1. Oz and the Musical: Performing the American Fairy Tale by Ryan Bunch (review)
  2. John Check
  3. pp. 491-494
  4. DOI: https://doi.org/10.1353/not.2024.a919038
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  1. Oscar Hammerstein II and the Invention of the Musical by Laurie Winer (review)
  2. Geoffrey Block
  3. pp. 494-499
  4. DOI: https://doi.org/10.1353/not.2024.a919039
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  1. Authenticity in the Music of Video Games by Stephanie Lind (review)
  2. Ethan D’Ver
  3. pp. 499-501
  4. DOI: https://doi.org/10.1353/not.2024.a919040
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  1. Sound Actions: Conceptualizing Musical Instruments by Alexander Refsum Jensenius (review)
  2. Patrick Connor Dittamo
  3. pp. 501-504
  4. DOI: https://doi.org/10.1353/not.2024.a919041
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  1. Erard: L’empire de la harpe = Erard: Empire of the Harp by Robert Adelson (review)
  2. Allison A. Alcorn
  3. pp. 504-507
  4. DOI: https://doi.org/10.1353/not.2024.a919042
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  1. Erard: A Passion for the Piano by Robert Adelson (review)
  2. Fred Sturm
  3. pp. 507-510
  4. DOI: https://doi.org/10.1353/not.2024.a919043
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  1. The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront by Cisco Bradley (review)
  2. David Pearson
  3. pp. 510-514
  4. DOI: https://doi.org/10.1353/not.2024.a919044
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  1. Musical Migration and Imperial New York: Early Cold War Scenes by Brigid Cohen (review)
  2. Hannah McLaughlin
  3. pp. 514-517
  4. DOI: https://doi.org/10.1353/not.2024.a919045
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  1. Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)
  2. Jennifer L. Campbell
  3. pp. 517-520
  4. DOI: https://doi.org/10.1353/not.2024.a919046
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  1. Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR by Peter J. Schmelz (review)
  2. Daniel Elphick
  3. pp. 520-523
  4. DOI: https://doi.org/10.1353/not.2024.a919047
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  1. Musical Lives and Times Examined: Keynotes and Clippings, 2006–2019 by Richard Taruskin (review)
  2. Ivan Moody
  3. pp. 523-525
  4. DOI: https://doi.org/10.1353/not.2024.a919048
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  1. Women and Musical Salons in the Enlightenment by Rebecca Cypess (review)
  2. Elizabeth Weinfield
  3. pp. 525-528
  4. DOI: https://doi.org/10.1353/not.2024.a919049
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  1. Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera by Melina Esse (review)
  2. Alessandra Jones
  3. pp. 528-531
  4. DOI: https://doi.org/10.1353/not.2024.a919050
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  1. The Routledge Companion to Jazz and Gender ed. by James Reddan, Monika Herzig, and Michael Kahr (review)
  2. Anne Elise Koppes
  3. pp. 531-533
  4. DOI: https://doi.org/10.1353/not.2024.a919051
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  1. Saxophone Colossus: The Life and Music of Sonny Rollins by Aidan Levy (review)
  2. Jade Kastel
  3. pp. 533-536
  4. DOI: https://doi.org/10.1353/not.2024.a919052
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  1. The Dylan Tapes: Friends, Players, and Lovers Talking Early Bob Dylan by Anthony Scaduto (review)
  2. Alessandro Bratus
  3. pp. 536-539
  4. DOI: https://doi.org/10.1353/not.2024.a919053
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  1. Lennon and McCartney: Painting with Sound by Thomas MacFarlane (review)
  2. John Clark
  3. pp. 539-541
  4. DOI: https://doi.org/10.1353/not.2024.a919054
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  1. Vinyl Ventures: My Fifty Years at Rounder Records by Bill Nowlin (review)
  2. Marci Cohen
  3. pp. 541-544
  4. DOI: https://doi.org/10.1353/not.2024.a919055
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  1. Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)
  2. Melissa Camp
  3. pp. 544-547
  4. DOI: https://doi.org/10.1353/not.2024.a919056
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  1. Leonardo Balada: A Transatlantic Gaze by Juan Francisco de Dios (review)
  2. Pedro López de la Osa
  3. pp. 550-553
  4. DOI: https://doi.org/10.1353/not.2024.a919058
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  1. Teaching Music History with Cases: A Teacher’s Guide by Sara Haefeli (review)
  2. Elizabeth A. Kramer
  3. pp. 553-556
  4. DOI: https://doi.org/10.1353/not.2024.a919059
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  1. Orchestral Masterpieces under the Microscope by Jonathan Del Mar (review)
  2. Joseph Boonin
  3. pp. 556-558
  4. DOI: https://doi.org/10.1353/not.2024.a919060
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  1. Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet by Pierpaolo Polzonetti (review)
  2. Bradford Lee Eden
  3. pp. 558-560
  4. DOI: https://doi.org/10.1353/not.2024.a919061
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  1. Books Recently Published
  2. pp. 561-567
  3. DOI: https://doi.org/10.1353/not.2024.a919062
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  1. L’arte dell’arco by Giuseppe Tartini (review)
  2. Nicholas Lockey
  3. pp. 568-572
  4. DOI: https://doi.org/10.1353/not.2024.a919063
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  1. La jolie fille de Perth: opéra en 4 actes et 5 tableaux by George Bizet (review)
  2. Ralph P. Locke
  3. pp. 572-575
  4. DOI: https://doi.org/10.1353/not.2024.a919064
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  1. Wolfgang Amadeus Mozart ed. by Michael Ostrzyga (review)
  2. Erick Arenas
  3. pp. 576-579
  4. DOI: https://doi.org/10.1353/not.2024.a919065
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 580-582
  4. DOI: https://doi.org/10.1353/not.2024.a919066
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  1. Communications
  2. p. 583
  3. DOI: https://doi.org/10.1353/not.2024.a919067
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