In this Issue

Table of Contents

Collecting Music among the Kharbintsy

Patricia Puckett Sasser
pp. 429-454
DOI: https://doi.org/10.1353/not.2024.a919031
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Classifying Musical Medium of Performance: Object or Property?

Richard Griscom, Joshua Henry, Deborah Lee, Richard P. Smiraglia, Rick Szostak, J. Bradford Young
pp. 455-472
DOI: https://doi.org/10.1353/not.2024.a919032
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Remembering Bill McClellan and Don Roberts

D. W. Krummel
pp. 473-477
DOI: https://doi.org/10.1353/not.2024.a919033
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Notes for Notes

Ruthann McTyre, Tobias Broeker
pp. 478-479
DOI: https://doi.org/10.1353/not.2024.a919034
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Bach against Modernity by Michael Marissen, and: Bach in the World: Music, Society, and Representation in Bach’s Cantatas by Markus Rathey, and: Music and Urban Life in Baroque Germany by Tanya Kevorkian (review)

Daniel F. Boomhower
pp. 480-486
DOI: https://doi.org/10.1353/not.2024.a919035
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Karl Straube (1873–1950): Germany’s Master Organist in Turbulent Times by Christopher Anderson (review)

Gregory Hand
pp. 486-489
DOI: https://doi.org/10.1353/not.2024.a919036
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A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era by Geoffrey Block (review)

Megan Woller
pp. 489-491
DOI: https://doi.org/10.1353/not.2024.a919037
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Oz and the Musical: Performing the American Fairy Tale by Ryan Bunch (review)

John Check
pp. 491-494
DOI: https://doi.org/10.1353/not.2024.a919038
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Oscar Hammerstein II and the Invention of the Musical by Laurie Winer (review)

Geoffrey Block
pp. 494-499
DOI: https://doi.org/10.1353/not.2024.a919039
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Authenticity in the Music of Video Games by Stephanie Lind (review)

Ethan D’Ver
pp. 499-501
DOI: https://doi.org/10.1353/not.2024.a919040
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Sound Actions: Conceptualizing Musical Instruments by Alexander Refsum Jensenius (review)

Patrick Connor Dittamo
pp. 501-504
DOI: https://doi.org/10.1353/not.2024.a919041
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Erard: L’empire de la harpe = Erard: Empire of the Harp by Robert Adelson (review)

Allison A. Alcorn
pp. 504-507
DOI: https://doi.org/10.1353/not.2024.a919042
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Erard: A Passion for the Piano by Robert Adelson (review)

Fred Sturm
pp. 507-510
DOI: https://doi.org/10.1353/not.2024.a919043
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The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront by Cisco Bradley (review)

David Pearson
pp. 510-514
DOI: https://doi.org/10.1353/not.2024.a919044
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Musical Migration and Imperial New York: Early Cold War Scenes by Brigid Cohen (review)

Hannah McLaughlin
pp. 514-517
DOI: https://doi.org/10.1353/not.2024.a919045
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Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)

Jennifer L. Campbell
pp. 517-520
DOI: https://doi.org/10.1353/not.2024.a919046
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Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR by Peter J. Schmelz (review)

Daniel Elphick
pp. 520-523
DOI: https://doi.org/10.1353/not.2024.a919047
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Musical Lives and Times Examined: Keynotes and Clippings, 2006–2019 by Richard Taruskin (review)

Ivan Moody
pp. 523-525
DOI: https://doi.org/10.1353/not.2024.a919048
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Women and Musical Salons in the Enlightenment by Rebecca Cypess (review)

Elizabeth Weinfield
pp. 525-528
DOI: https://doi.org/10.1353/not.2024.a919049
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Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera by Melina Esse (review)

Alessandra Jones
pp. 528-531
DOI: https://doi.org/10.1353/not.2024.a919050
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The Routledge Companion to Jazz and Gender ed. by James Reddan, Monika Herzig, and Michael Kahr (review)

Anne Elise Koppes
pp. 531-533
DOI: https://doi.org/10.1353/not.2024.a919051
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Saxophone Colossus: The Life and Music of Sonny Rollins by Aidan Levy (review)

Jade Kastel
pp. 533-536
DOI: https://doi.org/10.1353/not.2024.a919052
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The Dylan Tapes: Friends, Players, and Lovers Talking Early Bob Dylan by Anthony Scaduto (review)

Alessandro Bratus
pp. 536-539
DOI: https://doi.org/10.1353/not.2024.a919053
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Lennon and McCartney: Painting with Sound by Thomas MacFarlane (review)

John Clark
pp. 539-541
DOI: https://doi.org/10.1353/not.2024.a919054
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Vinyl Ventures: My Fifty Years at Rounder Records by Bill Nowlin (review)

Marci Cohen
pp. 541-544
DOI: https://doi.org/10.1353/not.2024.a919055
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Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)

Melissa Camp
pp. 544-547
DOI: https://doi.org/10.1353/not.2024.a919056
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Understanding the Old Hispanic Office: Texts, Melodies and Devotion in Early Medieval Iberia by Emma Hornby, Kati Ihnat, Rebecca Maloy, and Raquel Rojo Carrillo (review)

Kathleen Sewright
pp. 547-550
DOI: https://doi.org/10.1353/not.2024.a919057
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Leonardo Balada: A Transatlantic Gaze by Juan Francisco de Dios (review)

Pedro López de la Osa
pp. 550-553
DOI: https://doi.org/10.1353/not.2024.a919058
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Teaching Music History with Cases: A Teacher’s Guide by Sara Haefeli (review)

Elizabeth A. Kramer
pp. 553-556
DOI: https://doi.org/10.1353/not.2024.a919059
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Orchestral Masterpieces under the Microscope by Jonathan Del Mar (review)

Joseph Boonin
pp. 556-558
DOI: https://doi.org/10.1353/not.2024.a919060
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Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet by Pierpaolo Polzonetti (review)

Bradford Lee Eden
pp. 558-560
DOI: https://doi.org/10.1353/not.2024.a919061
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Books Recently Published

pp. 561-567
DOI: https://doi.org/10.1353/not.2024.a919062
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L’arte dell’arco by Giuseppe Tartini (review)

Nicholas Lockey
pp. 568-572
DOI: https://doi.org/10.1353/not.2024.a919063
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La jolie fille de Perth: opéra en 4 actes et 5 tableaux by George Bizet (review)

Ralph P. Locke
pp. 572-575
DOI: https://doi.org/10.1353/not.2024.a919064
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Wolfgang Amadeus Mozart ed. by Michael Ostrzyga (review)

Erick Arenas
pp. 576-579
DOI: https://doi.org/10.1353/not.2024.a919065
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Music Received

Kathleen A. Abromeit
pp. 580-582
DOI: https://doi.org/10.1353/not.2024.a919066
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Communications

p. 583
DOI: https://doi.org/10.1353/not.2024.a919067
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