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In this Issue

Table of Contents

  1. Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay
  2. Doron Galili
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/cj.2023.a918255
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  1. Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union
  2. Iuliia Glushneva
  3. pp. 23-50
  4. DOI: https://doi.org/10.1353/cj.2023.a918256
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  1. Holding onto Power: The Film Industry’s Stratification in the Digital Age
  2. Hamidreza Nassiri
  3. pp. 51-76
  4. DOI: https://doi.org/10.1353/cj.2023.a918257
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  1. Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame
  2. K. T. Wong
  3. pp. 77-100
  4. DOI: https://doi.org/10.1353/cj.2023.a918258
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  1. Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris
  2. Caroline N. Bayne
  3. pp. 101-121
  4. DOI: https://doi.org/10.1353/cj.2023.a928876
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  1. The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass
  2. Ashley Brock
  3. pp. 122-146
  4. DOI: https://doi.org/10.1353/cj.2023.a928877
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  1. Transnational Metacinemas
  2. Wyatt Moss-Wellington
  3. pp. 147-169
  4. DOI: https://doi.org/10.1353/cj.2023.a928878
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  1. Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China
  2. Swapnil Rai
  3. pp. 170-196
  4. DOI: https://doi.org/10.1353/cj.2023.a928879
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  1. Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab
  2. Wendy Sung
  3. pp. 197-217
  4. DOI: https://doi.org/10.1353/cj.2023.a928880
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  1. Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films
  2. Lin Feng
  3. pp. 219-242
  4. DOI: https://doi.org/10.1353/cj.2023.a933155
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  1. Sister Night, Hooded Justice, and Racial Reckoning in Watchmen
  2. Diana Adesola Mafe
  3. pp. 243-262
  4. DOI: https://doi.org/10.1353/cj.2023.a933156
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  1. The Queer Art of Feeling: Futurity, Fin de siglo, and New Queer Realism
  2. Geoffrey Maguire
  3. pp. 263-283
  4. DOI: https://doi.org/10.1353/cj.2023.a933157
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  1. The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms
  2. Li Zeng
  3. pp. 284-308
  4. DOI: https://doi.org/10.1353/cj.2023.a933158
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  1. Redeeming Grandfather: Aging Masculinity in Colombian Films
  2. Marcelo Carosi
  3. pp. 309-329
  4. DOI: https://doi.org/10.1353/cj.2023.a941832
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  1. Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation
  2. Usha Iyer
  3. pp. 330-356
  4. DOI: https://doi.org/10.1353/cj.2023.a941833
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  1. Too English? Voice, Gender, and Race from Murder! to Mary
  2. Olivia Landry
  3. pp. 357-376
  4. DOI: https://doi.org/10.1353/cj.2023.a941835
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  1. From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River
  2. Belinda Smaill
  3. pp. 377-399
  4. DOI: https://doi.org/10.1353/cj.2023.a941836
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  1. When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World
  2. Jonathan Sterne, Andy Kelleher Stuhl
  3. pp. 400-427
  4. DOI: https://doi.org/10.1353/cj.2023.a941837
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  1. Late Slasher: Remediation to Premediation in Urban Legend, Gossip, and Final Destination
  2. William Stevenson
  3. pp. 428-450
  4. DOI: https://doi.org/10.1353/cj.2023.a941838
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  1. “The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction
  2. Clare M. Wilkinson
  3. pp. 451-472
  4. DOI: https://doi.org/10.1353/cj.2023.a941839
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