In this Issue

Table of Contents

Introduction: Marguerite de Navarre: perspectives croisées. Numéro spécial dédié à la mémoire de Robert D. Cottrell

Nancy Frelick, Scott Francis, Dariusz Krawczyk, Dora E. Polachek
pp. v-x
DOI: https://doi.org/10.1353/frf.2022.a914316
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Reading Marguerite de Navarre with Psychoanalysis

Nancy M. Frelick
pp. 1-15
DOI: https://doi.org/10.1353/frf.2022.a914317
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“Pis que morte”: les lettres de Marguerite d’Angoulême à Guillaume Briçonnet, laboratoire de l’écriture du Dialogue en forme de vision nocturne (automne 1524)

Isabelle Garnier
pp. 17-31
DOI: https://doi.org/10.1353/frf.2022.a914318
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Le Miroir de Jésus Christ crucifié dans le champ des textes dévotionnels

Isabelle Pantin
pp. 33-47
DOI: https://doi.org/10.1353/frf.2022.a914319
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“L’homme innocent à honte n’est tenu.” : La Définition de vrai amour par dizains by Marguerite de Navarre, the Problem of Nudity and the “Libertins spirituels”

Daniel Fliege
pp. 49-63
DOI: https://doi.org/10.1353/frf.2022.a914320
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Miroir ou parangon? La cour et les courtisans dans L’Heptaméron

Dariusz Krawczyk
pp. 65-80
DOI: https://doi.org/10.1353/frf.2022.a914321
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The Rhetoric of Repetition in Marguerite de Navarre’s Heptaméron

Nicolas Russell
pp. 81-91
DOI: https://doi.org/10.1353/frf.2022.a914322
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Wardrobes, Closets, and Windows: The Architecture of the Privé in the Heptaméron

Emily Butterworth
pp. 93-107
DOI: https://doi.org/10.1353/frf.2022.a914323
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“Parler ou mourir?” : Speech and Silence in the Heptaméron

Nora Martin Peterson
pp. 109-123
DOI: https://doi.org/10.1353/frf.2022.a914324
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Quatre héroïnes en une: art du portrait et féminisme chez Marguerite de Navarre (L’Heptaméron, 15)

Nicolas Le Cadet
pp. 125-138
DOI: https://doi.org/10.1353/frf.2022.a914325
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Facétieuse Nomerfide

Marie-Claire Thomine
pp. 139-153
DOI: https://doi.org/10.1353/frf.2022.a914326
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Performing Rape for Laughs: Male Desire and Female Ties Gone Awry

Dora E. Polachek
pp. 155-169
DOI: https://doi.org/10.1353/frf.2022.a914327
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How the Heptaméron Became Erotica

Scott Francis
pp. 171-215
DOI: https://doi.org/10.1353/frf.2022.a914328
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The Fallen Veil: A Literary and Cultural History of the Photographic Nude in Nineteenth-Century France by Raisa Adah Rexer (review)

Heidi Brevik-Zender
pp. 217-219
DOI: https://doi.org/10.1353/frf.2022.a914329
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Poetry’s Knowing Ignorance by Joseph Acquisto (review)

Samuel Martin
pp. 219-221
DOI: https://doi.org/10.1353/frf.2022.a914330
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Pathologies of Love: Medicine and the Woman Question in Early Modern France by Judy Kem (review)

Jeff Kendrick
pp. 222-224
DOI: https://doi.org/10.1353/frf.2022.a914331
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Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin (review)

Kate Bredeson
pp. 224-227
DOI: https://doi.org/10.1353/frf.2022.a914332
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Books Received

p. 229
DOI: https://doi.org/10.1353/frf.2022.a914333
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