In this Issue

Table of Contents

The Palazzo Foscarini in Venice and the Celebration Honoring the Dukes of Modena (1749) in a Getty Research Institute Manuscript

Linda Borean
pp. 1-16
DOI: https://doi.org/10.1086/702746
open access

“First Surrealists Were Cavemen”: The American Abstract Artists and Their Appropriation of Prehistoric Rock Pictures in 1937

Elke Seibert
pp. 17-38
DOI: https://doi.org/10.1086/702747
open access

Critic and Catalyst: Pauline Gibling Schindler (1893–1977)

Thomas S. Hines
pp. 39-80
DOI: https://doi.org/10.1086/702748
open access

The New Arts Society: Failed Radicals

Elizabeth Buhe
pp. 81-106
DOI: https://doi.org/10.1086/702749
open access

Harald Szeemann and the Road Back to the Museum

Max Rosenberg
pp. 107-132
DOI: https://doi.org/10.1086/702750
open access

“Alcuni dei miei progetti”: Aldo Rossi and the Editorial Impulse

Maura Lucking
pp. 133-159
DOI: https://doi.org/10.1086/702751
open access

Shorter Notices

Forbidden Love in the Andes: Murúa and Guaman Poma Retell the Myth of Chuquillanto and Acoytapra

Alicia Maria Houtrouw
pp. 161-184
DOI: https://doi.org/10.1086/702752
open access

A Set of Eight Gurkha Campaign Copperplate Prints

Niklas Leverenz
pp. 185-196
DOI: https://doi.org/10.1086/702753
open access

Updating Records of Nazi Art Looting from an Art Dealer’s Archive: A Case Study from Gustav Cramer’s Archive at the Getty

Isabella Zuralski-Yeager
pp. 197-212
DOI: https://doi.org/10.1086/702754
open access

Rethinking Provenance Research

Christian Fuhrmeister, Meike Hopp
pp. 213-231
DOI: https://doi.org/10.1086/702755
open access

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