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The Palazzo Foscarini in Venice and the Celebration Honoring the Dukes of Modena (1749) in a Getty Research Institute Manuscript

Linda Borean

pp. 1-16

DOI: https://doi.org/10.1086/702746

“First Surrealists Were Cavemen”: The American Abstract Artists and Their Appropriation of Prehistoric Rock Pictures in 1937

Elke Seibert

pp. 17-38

DOI: https://doi.org/10.1086/702747

Critic and Catalyst: Pauline Gibling Schindler (1893–1977)

Thomas S. Hines

pp. 39-80

DOI: https://doi.org/10.1086/702748

The New Arts Society: Failed Radicals

Elizabeth Buhe

pp. 81-106

DOI: https://doi.org/10.1086/702749

Harald Szeemann and the Road Back to the Museum

Max Rosenberg

pp. 107-132

DOI: https://doi.org/10.1086/702750

“Alcuni dei miei progetti”: Aldo Rossi and the Editorial Impulse

Maura Lucking

pp. 133-159

DOI: https://doi.org/10.1086/702751

Forbidden Love in the Andes: Murúa and Guaman Poma Retell the Myth of Chuquillanto and Acoytapra

Alicia Maria Houtrouw

pp. 161-184

DOI: https://doi.org/10.1086/702752

A Set of Eight Gurkha Campaign Copperplate Prints

Niklas Leverenz

pp. 185-196

DOI: https://doi.org/10.1086/702753

Updating Records of Nazi Art Looting from an Art Dealer’s Archive: A Case Study from Gustav Cramer’s Archive at the Getty

Isabella Zuralski-Yeager

pp. 197-212

DOI: https://doi.org/10.1086/702754

Rethinking Provenance Research

Christian Fuhrmeister, Meike Hopp

pp. 213-231

DOI: https://doi.org/10.1086/702755

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Additional Information
ISSN	2329-1249
Print ISSN	1944-8740
Launched on MUSE	2024-01-01
Open Access	Yes

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In this Issue

Number 11, 2019

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Table of Contents

The Palazzo Foscarini in Venice and the Celebration Honoring the Dukes of Modena (1749) in a Getty Research Institute Manuscript

“First Surrealists Were Cavemen”: The American Abstract Artists and Their Appropriation of Prehistoric Rock Pictures in 1937

Critic and Catalyst: Pauline Gibling Schindler (1893–1977)

The New Arts Society: Failed Radicals

Harald Szeemann and the Road Back to the Museum

“Alcuni dei miei progetti”: Aldo Rossi and the Editorial Impulse

Forbidden Love in the Andes: Murúa and Guaman Poma Retell the Myth of Chuquillanto and Acoytapra

A Set of Eight Gurkha Campaign Copperplate Prints

Updating Records of Nazi Art Looting from an Art Dealer’s Archive: A Case Study from Gustav Cramer’s Archive at the Getty

Rethinking Provenance Research

Previous Issue

Next Issue

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