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Table of Contents

  1. The Palazzo Foscarini in Venice and the Celebration Honoring the Dukes of Modena (1749) in a Getty Research Institute Manuscript
  2. Linda Borean
  3. pp. 1-16
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  1. “First Surrealists Were Cavemen”: The American Abstract Artists and Their Appropriation of Prehistoric Rock Pictures in 1937
  2. Elke Seibert
  3. pp. 17-38
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  1. Critic and Catalyst: Pauline Gibling Schindler (1893–1977)
  2. Thomas S. Hines
  3. pp. 39-80
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  1. The New Arts Society: Failed Radicals
  2. Elizabeth Buhe
  3. pp. 81-106
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  1. Harald Szeemann and the Road Back to the Museum
  2. Max Rosenberg
  3. pp. 107-132
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  1. “Alcuni dei miei progetti”: Aldo Rossi and the Editorial Impulse
  2. Maura Lucking
  3. pp. 133-159
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  1. Forbidden Love in the Andes: Murúa and Guaman Poma Retell the Myth of Chuquillanto and Acoytapra
  2. Alicia Maria Houtrouw
  3. pp. 161-184
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  1. A Set of Eight Gurkha Campaign Copperplate Prints
  2. Niklas Leverenz
  3. pp. 185-196
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  1. Updating Records of Nazi Art Looting from an Art Dealer’s Archive: A Case Study from Gustav Cramer’s Archive at the Getty
  2. Isabella Zuralski-Yeager
  3. pp. 197-212
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  1. Rethinking Provenance Research
  2. Christian Fuhrmeister, Meike Hopp
  3. pp. 213-231
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Number 10, 2018

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Number 12, 2020