Getty Research Journal

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Foreword

Vanessa R. Schwartz, Jan von Brevern

pp. v-vi

Prints, Politics, and a Child King: The Battle of Rocroi in 1643

Barbara Gaehtgens

pp. 1-18

DOI: https://doi.org/10.1086/680731

Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil

Amy J. Buono

pp. 19-34

DOI: https://doi.org/10.1086/680732

The Photographic Albums of Abbas Ali as Continuations of the Mughal Muraqqaʿ Tradition

Alka Patel

pp. 35-52

DOI: https://doi.org/10.1086/680733

Case Study House 21: The (Re)making of a Collector’s Item

Neil Jackson

pp. 53-66

DOI: https://doi.org/10.1086/680734

Photography’s Past Futures

The Eternal Child: On Expectations in the History of Photography

Jan von Brevern

pp. 67-80

DOI: https://doi.org/10.1086/680735

The Transparency of Color: Aesthetics, Materials, and Practices of Hand Coloring Photographs between Rochester and Yokohama

Ann-Sophie Lehmann

pp. 81-96

DOI: https://doi.org/10.1086/680736

Photography as a “Space of Experience”: On the Retrospective Legibility of Historic Photographs

Peter Geimer

pp. 97-108

DOI: https://doi.org/10.1086/680737

The Past Future of Futurist Movement Photography

Katja Müller-Helle

pp. 109-123

DOI: https://doi.org/10.1086/680738

Tools of Scholarship

“Digital Montagny”: An Introspective Experience in Art History

Delphine Burlot, Martine Denoyelle

pp. 125-132

DOI: https://doi.org/10.1086/680739

Human Geography, GIS Technology, and Ancient Mysteries: A Case Study from the Island of Samothrace

Sandra Blakely

pp. 133-141

DOI: https://doi.org/10.1086/680740

Acquisitions and Discoveries

Carpaccio Gleanings: Discoveries in the Photo Archive of the Getty Research Institute

Sara Menato

pp. 143-150

DOI: https://doi.org/10.1086/680741

Traces of Saint Thomas Becket in the Getty Gratian (J. Paul Getty Museum, Ms. Ludwig XIV 2)

Leena Löfstedt

pp. 151-156

DOI: https://doi.org/10.1086/680742

The Angelica Kauffmann Inventories: An Artist’s Property and Legacy in Early-Nineteenth-Century Rome

Wendy Wassyng Roworth

pp. 157-168

DOI: https://doi.org/10.1086/680743

“Harmony in Contrast”: The Drawings of Solomon Caesar Malan

Peter Louis Bonfitto

pp. 169-176

DOI: https://doi.org/10.1086/680744

Heinrich Wölfflin’s Own Annotated Books

Andrew James Hopkins

pp. 177-184

DOI: https://doi.org/10.1086/680745

Diego Rivera’s “California Miners” Sketchbook (1931): New Research on the Artist in California during the Great Depression

Mari-Tere Álvarez, Charlene Villaseñor Black

pp. 185-196

DOI: https://doi.org/10.1086/680746

The Photographic Memory and Impact of the Hungarian 1956 Uprising during the Cold War Era

Isotta Poggi

pp. 197-206

DOI: https://doi.org/10.1086/680747

Harald Szeemann’s La Mamma: Notes on an Unrealized Exhibition

Pietro Rigolo

pp. 207-213

DOI: https://doi.org/10.1086/680748

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Number 6, 2014

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Number 8, 2016

Additional Information
ISSN	2329-1249
Print ISSN	1944-8740
Launched on MUSE	2024-01-01
Open Access	Yes

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