In this Issue

Table of Contents

Foreword

Vanessa R. Schwartz, Jan von Brevern
pp. v-vi
open access

Prints, Politics, and a Child King: The Battle of Rocroi in 1643

Barbara Gaehtgens
pp. 1-18
DOI: https://doi.org/10.1086/680731
open access

Historicity, Achronicity, and the Materiality of Cultures in Colonial Brazil

Amy J. Buono
pp. 19-34
DOI: https://doi.org/10.1086/680732
open access

The Photographic Albums of Abbas Ali as Continuations of the Mughal Muraqqaʿ Tradition

Alka Patel
pp. 35-52
DOI: https://doi.org/10.1086/680733
open access

Case Study House 21: The (Re)making of a Collector’s Item

Neil Jackson
pp. 53-66
DOI: https://doi.org/10.1086/680734
open access

The Eternal Child: On Expectations in the History of Photography

Jan von Brevern
pp. 67-80
DOI: https://doi.org/10.1086/680735
open access

The Transparency of Color: Aesthetics, Materials, and Practices of Hand Coloring Photographs between Rochester and Yokohama

Ann-Sophie Lehmann
pp. 81-96
DOI: https://doi.org/10.1086/680736
open access

Photography as a “Space of Experience”: On the Retrospective Legibility of Historic Photographs

Peter Geimer
pp. 97-108
DOI: https://doi.org/10.1086/680737
open access

The Past Future of Futurist Movement Photography

Katja Müller-Helle
pp. 109-123
DOI: https://doi.org/10.1086/680738
open access

“Digital Montagny”: An Introspective Experience in Art History

Delphine Burlot, Martine Denoyelle
pp. 125-132
DOI: https://doi.org/10.1086/680739
open access

Human Geography, GIS Technology, and Ancient Mysteries: A Case Study from the Island of Samothrace

Sandra Blakely
pp. 133-141
DOI: https://doi.org/10.1086/680740
open access

Carpaccio Gleanings: Discoveries in the Photo Archive of the Getty Research Institute

Sara Menato
pp. 143-150
DOI: https://doi.org/10.1086/680741
open access

Traces of Saint Thomas Becket in the Getty Gratian (J. Paul Getty Museum, Ms. Ludwig XIV 2)

Leena Löfstedt
pp. 151-156
DOI: https://doi.org/10.1086/680742
open access

The Angelica Kauffmann Inventories: An Artist’s Property and Legacy in Early-Nineteenth-Century Rome

Wendy Wassyng Roworth
pp. 157-168
DOI: https://doi.org/10.1086/680743
open access

“Harmony in Contrast”: The Drawings of Solomon Caesar Malan

Peter Louis Bonfitto
pp. 169-176
DOI: https://doi.org/10.1086/680744
open access

Heinrich Wölfflin’s Own Annotated Books

Andrew James Hopkins
pp. 177-184
DOI: https://doi.org/10.1086/680745
open access

Diego Rivera’s “California Miners” Sketchbook (1931): New Research on the Artist in California during the Great Depression

Mari-Tere Álvarez, Charlene Villaseñor Black
pp. 185-196
DOI: https://doi.org/10.1086/680746
open access

The Photographic Memory and Impact of the Hungarian 1956 Uprising during the Cold War Era

Isotta Poggi
pp. 197-206
DOI: https://doi.org/10.1086/680747
open access

Harald Szeemann’s La Mamma: Notes on an Unrealized Exhibition

Pietro Rigolo
pp. 207-213
DOI: https://doi.org/10.1086/680748
open access

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