Project MUSE - Getty Research Journal-Number 6, 2014

Foreword

James Cuno

pp. v-vii

Carlo Dolci and the Aesthetics of Sweetness

Joseph Imorde

pp. 1-12

DOI: https://doi.org/10.1086/675787

Élie-Honoré Montagny: The Artist and the Antique

Delphine Burlot

pp. 13-28

DOI: https://doi.org/10.1086/675788

Painting in Light and Chemistry: D. O. Hill’s The Market Cross, Ayr (1835) and Its Relation to His Photographic Work with Robert Adamson, 1843–47

Sara Stevenson

pp. 29-46

DOI: https://doi.org/10.1086/675789

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Picturing Qājār Persia: A Gift to Major-General Henry Creswicke Rawlinson

Leila Moayeri Pazargadi, Frances Terpak

pp. 47-62

DOI: https://doi.org/10.1086/675790

Orientalism and the Reality Effect: Angkor at the Universal Expositions, 1867–1937

Isabelle Flour

pp. 63-82

DOI: https://doi.org/10.1086/675791

Ernst Ludwig Kirchner’s Drawings of the Apocalypse

Thomas W. Gaehtgens, Anja Foerschner

pp. 83-102

DOI: https://doi.org/10.1086/675792

The Getty Conservation Institute Project to Conserve David Alfaro Siqueiros’s Mural América Tropical

Emily MacDonald-Korth, Leslie Rainer

pp. 103-114

DOI: https://doi.org/10.1086/675793

Shifra Goldman and David Alfaro Siqueiros’s America Tropical

Rebecca Zamora

pp. 115-127

DOI: https://doi.org/10.1086/675794

Foto Arte Minore: The Max Hutzel Collection of Photographs of Art and Architecture in Italy

Tracey Schuster

pp. 129-136

DOI: https://doi.org/10.1086/675795

Facilitating Art-Historical Research in the Digital Age: The Getty Research Portal

Kathleen Salomon

pp. 137-141

DOI: https://doi.org/10.1086/675796

Marriage, Death, and the Power of Prayer: The Hours of Denise Poncher

Elizabeth Morrison

pp. 143-150

DOI: https://doi.org/10.1086/675797

Diary of an Obscure German Artist with (Almost) No Friends

David Brafman

pp. 151-162

DOI: https://doi.org/10.1086/675798

Documenting the Family Dynamics of the Calandrucci Heirs

Anne-Lise Desmas

pp. 163-174

DOI: https://doi.org/10.1086/675799

The Historiscope and the Milton Bradley Company: Art and Commerce in Nineteenth-Century Aesthetic Education

Jennifer Lynn Peterson

pp. 175-184

DOI: https://doi.org/10.1086/675800

Mobilizing Desire in Boccioni’s “Small Dress Shoe + Urine”

David Mather

pp. 185-194

DOI: https://doi.org/10.1086/675801

What’s Happening? Allan Kaprow and Claes Oldenburg Argue about Art and Life

Eva Ehninger

pp. 195-202

DOI: https://doi.org/10.1086/675802

Utopia by Mail: Komar and Melamid’s A Catalogue of Superobjects: Supercomfort for Superpeople

Ksenya Gurshtein

pp. 203-213

DOI: https://doi.org/10.1086/675803

ISSN	2329-1249
Print ISSN	1944-8740
Launched on MUSE	2024-01-01
Open Access	Yes

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