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In this Issue

Table of Contents

  1. Editorial: Refugee Processing
  2. pp. xiii-xxii
  3. DOI: https://doi.org/10.1353/tj.2023.a917474
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  1. Erratum
  2. DOI: https://doi.org/10.1353/tj.2023.a917472
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  1. Unsanctioned Refugee Processing: Maritime Interception, Aesthetics, Hospitality
  2. Emma Cox
  3. pp. 259-275
  4. DOI: https://doi.org/10.1353/tj.2023.a917476
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  1. A Museum of Human Hunting: Thomas Bellinck’s Speculative Documentary
  2. Katia Arfara
  3. pp. 277-299
  4. DOI: https://doi.org/10.1353/tj.2023.a917478
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  1. Channels Through the Humane: The Exiled Body in Crystal Pite’s Flight Pattern
  2. Sariel Golomb
  3. pp. 301-320
  4. DOI: https://doi.org/10.1353/tj.2023.a917480
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  1. (Not So) Minor Encounters: Little Amal from The Jungle to The Walk
  2. Suhaila Meera
  3. pp. 321-340
  4. DOI: https://doi.org/10.1353/tj.2023.a917481
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  1. Waif, Orphan, Refugee: Staging Korean War Reparation in Lloyd Suh’s Bina’s Six Apples
  2. Heidi Kim
  3. pp. 341-358
  4. DOI: https://doi.org/10.1353/tj.2023.a917482
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  1. I Will Marry When I Want / Ngaahika Ndeenda by Ngūgī wa Thiong’o and Ngūgī wa Mirii (review)
  2. Fredrick Mbogo
  3. pp. 359-360
  4. DOI: https://doi.org/10.1353/tj.2023.a917483
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  1. Kimberly Akimbo by David Lindsay-Abaire (review)
  2. Rachel Evans
  3. pp. 360-362
  4. DOI: https://doi.org/10.1353/tj.2023.a917484
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  1. Stumped by Shomit Dutta (review)
  2. Annette Balaam
  3. pp. 362-364
  4. DOI: https://doi.org/10.1353/tj.2023.a917485
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  1. The Master and Margarita by Jianjun Li and Xuan Ma (review)
  2. Chengyun Zhao
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/tj.2023.a917486
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  1. John Proctor is the Villain by Kimberly Belflower, and: The Good John Proctor by Talene Monahon (review)
  2. Sean F. Edgecomb
  3. pp. 366-369
  4. DOI: https://doi.org/10.1353/tj.2023.a917487
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  1. Inés De Ulloa by Sergio Rubio (review)
  2. Victoria Jane Rasbridge
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/tj.2023.a917488
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  1. The Sign in Sidney Brustein’s Window by Lorraine Hansberry (review)
  2. Beth Wynstra
  3. pp. 371-373
  4. DOI: https://doi.org/10.1353/tj.2023.a917489
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  1. Hobollywood by Thinh Nguyen (review)
  2. Meiling Cheng
  3. pp. 373-375
  4. DOI: https://doi.org/10.1353/tj.2023.a917490
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  1. Love Is Love Is Love: Broadway Musicals and LGBTQ Politics, 2010–2020 by Aaron C. Thomas
  2. Ryan Donovan
  3. pp. 377-378
  4. DOI: https://doi.org/10.1353/tj.2023.a917491
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  1. Eco Soma: Pain and Joy in Speculative Performance Encounters by Petra Kuppers (review)
  2. Jose Miguel Esteban
  3. pp. 378-380
  4. DOI: https://doi.org/10.1353/tj.2023.a917492
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  1. Death’s Futurity: The Visual Life Of Black Power by Sampada Aranke (review)
  2. Les Gray
  3. pp. 380-381
  4. DOI: https://doi.org/10.1353/tj.2023.a917493
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  1. Earthworks Rising: Mound Building In Native Literature And Arts by Chadwick Allen (review)
  2. Lilian Mengesha
  3. pp. 381-383
  4. DOI: https://doi.org/10.1353/tj.2023.a917494
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  1. Blackness in Morocco: Gnawa Identity Through Music and Visual Culture by Cynthia J. Becker (review)
  2. Cleo Jay
  3. pp. 383-384
  4. DOI: https://doi.org/10.1353/tj.2023.a917495
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  1. “Drifting in this Dark Space”: A Conversation with Artist Dinh Q. Lê
  2. Sean Metzger, Dinh Q. Lê
  3. pp. E-23-E-31
  4. DOI: https://doi.org/10.1353/tj.2023.a917473
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  1. Towards Empathy: A Conversation with Vichet Chum
  2. Cathy J. Schlund-Vials, Vichet Chum
  3. pp. E-45-E-53
  4. DOI: https://doi.org/10.1353/tj.2023.a917477
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  1. Alongside and Behind the Community: TeAda’s Decolonial Ensemble Theater Practice
  2. Lucy Mae San Pablo Burns, Leilani Chan, Ova Saopeng
  3. pp. E-55-E-66
  4. DOI: https://doi.org/10.1353/tj.2023.a917479
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