In this Issue

Table of Contents

Editor’s Introduction

Stacey Peebles
p. 1
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In Memoriam: Edwin T. “Chip” Arnold, 1947–2023

pp. 2-8
DOI: https://doi.org/10.5325/cormmccaj.22.1.0002
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“The coming darkness”: Romantic Tragedy, Shakespeare, and Nahua Myth in Cormac McCarthy’s The Passenger and Stella Maris

Russell M. Hillier
pp. 9-35
DOI: https://doi.org/10.5325/cormmccaj.22.1.0009
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“Selecting between the dream and the reality”: The Mexican Revolution in All the Pretty Horses

Brent Walter Cline
pp. 36-54
DOI: https://doi.org/10.5325/cormmccaj.22.1.0036
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Religion Between the Parody of Faith and the Epiphany of Grace in Cormac McCarthy’s Blood Meridian

Paolo Viganò
pp. 55-74
DOI: https://doi.org/10.5325/cormmccaj.22.1.0055
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Finding Grace in The Road: Moses, Messiah, and John 1:17

Mark C. Hulse
pp. 75-93
DOI: https://doi.org/10.5325/cormmccaj.22.1.0075
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Cormac McCarthy’s Earliest Publication: A Letter on the Beat Generation

Zachary Turpin
pp. 94-100
DOI: https://doi.org/10.5325/cormmccaj.22.1.0094
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“Only the dead have seen an end to war”: Misattributing to Plato in Stella Maris?

Thomas Palaima
pp. 101-103
DOI: https://doi.org/10.5325/cormmccaj.22.1.0101
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Once More in Defense of the Mother

Olivia Carr Edenfield
pp. 104-106
DOI: https://doi.org/10.5325/cormmccaj.22.1.0104
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