+ MUSE Alert

In this Issue

Table of Contents

  1. Affective Whiplash and Absurdity in George Schuyler’s Black No More
  2. Alex Gergely
  3. pp. 359-380
  4. DOI: https://doi.org/10.1353/mss.2022.a913482
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. “Southern Living from a Bygone Time”: Gothic Spatialization of History in Gillian Flynn’s Sharp Objects
  2. Mattias Pirholt
  3. pp. 381-403
  4. DOI: https://doi.org/10.1353/mss.2022.a913483
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Pheoby’s Queer Quietness in Their Eyes Were Watching God
  2. Benjamin Bagocius
  3. pp. 405-436
  4. DOI: https://doi.org/10.1353/mss.2022.a913484
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. “They got . . .”: Ernest J. Gaines’s Semiotic Reversal of William Faulkner
  2. Matthew Teutsch
  3. pp. 437-452
  4. DOI: https://doi.org/10.1353/mss.2022.a913485
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Watson’s Faulkner: A Most Splendid Contribution
  2. Ahmed Honeini
  3. pp. 453-460
  4. DOI: https://doi.org/10.1353/mss.2022.a913486
  5. restricted access
    • HTML icon View
    • PDF icon Download