In this Issue

Table of Contents

Introduction

N. Michelle Murray, Rosalía Cornejo-Parriego
pp. 247-256
DOI: https://doi.org/10.1353/rmc.2023.a919719
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Rosalía and Flamenco: A Musicological Perspective

Peter Manuel
pp. 257-268
DOI: https://doi.org/10.1353/rmc.2023.a919720
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Cantes por tangos y bulerías: Rosalía en el panorama musical español actual

Vicente Chacón-Carmona
pp. 269-280
DOI: https://doi.org/10.1353/rmc.2023.a919721
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De tablaos a tableaux: Ecos saurianos en Rosalía

María del Carmen Caña Jiménez
pp. 281-293
DOI: https://doi.org/10.1353/rmc.2023.a919722
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Glotofobia, apropiación cultural y privación relativa en la escena musical española contemporánea

Ana León-Távora
pp. 295-307
DOI: https://doi.org/10.1353/rmc.2023.a919723
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Rosalía's Cante: (Non-)Gitanidad, Gender, and Anti-Carceral Flamenco Tradition in "Juro Que"

Tania Arabelle Flores
pp. 309-320
DOI: https://doi.org/10.1353/rmc.2023.a919724
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Rethinking Rosalía Through the Japanese Commodification of Flamenco Culture

Yeon-Soo Kim
pp. 321-333
DOI: https://doi.org/10.1353/rmc.2023.a919725
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Rosalía, Feminine Fantasy, and Japan as Décor

Mary Kate Donovan
pp. 335-350
DOI: https://doi.org/10.1353/rmc.2023.a919726
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El mal querer: Rosalía's Postmodern "Universe" of Meanings

Victoria Driggs
pp. 351-363
DOI: https://doi.org/10.1353/rmc.2023.a919727
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La Rosalía y la nación: Redes sociales, discursos políticos y cultura nacional en Cataluña

Eloi Grasset
pp. 365-377
DOI: https://doi.org/10.1353/rmc.2023.a919728
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El viaje dionisíaco de Rosalía

Zachary Rockwell Ludington
pp. 379-389
DOI: https://doi.org/10.1353/rmc.2023.a919729
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Rosalía's Butterflies: Self-Reflective Celebrity and the Confessional Text

Jorge Pérez
pp. 391-404
DOI: https://doi.org/10.1353/rmc.2023.a919730
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Rosalía as Resource: Pedagogical Synergies

Marcela T. Garcés
pp. 405-413
DOI: https://doi.org/10.1353/rmc.2023.a919731
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Digitizing Divas: Pedagogical Approaches to Contemporary Spanish Visual Culture

Tyler Anthony
pp. 415-425
DOI: https://doi.org/10.1353/rmc.2023.a919732
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Point de rencontres: Une étude de passages "infrahumains" dans Le Rond-Point d'Évelyne Trouillot

Jason Herbeck
pp. 427-440
DOI: https://doi.org/10.1353/rmc.2023.a919733
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Spaces of Estrangement in Luiz Ruffato's Eles Eram Muitos Cavalos

Sophia Beal
pp. 441-451
DOI: https://doi.org/10.1353/rmc.2023.a919734
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Memórias autobiográficas: De Os Cus de Judas a Caderno de memórias coloniais

Sandra Sousa
pp. 453-462
DOI: https://doi.org/10.1353/rmc.2023.a919735
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Almudena Grandes and the "Problem of Spain"

Novia Pagone
pp. 463-473
DOI: https://doi.org/10.1353/rmc.2023.a919736
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Compositional Convergence in Whitman and Borges

Nora Benedict
pp. 475-487
DOI: https://doi.org/10.1353/rmc.2023.a919737
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"¿Tengo que comer gato?" Racial Stereotype in Quan Zhou Wu's Gente de aquí. Gente de allí. Ensayo gráfico sobre migrantes y españoles

Alison Posey
pp. 489-500
DOI: https://doi.org/10.1353/rmc.2023.a919738
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The Interjection !Olé!— origins in Caló (Andalusian Para-romani)

William Sayers
pp. 501-507
DOI: https://doi.org/10.1353/rmc.2023.a919739
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