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Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/amu.2024.a919652
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  1. Painting with Sound: Performing Cultural Memory through Kazakh Sybyzghy Cassettes in Northern Xinjiang
  2. Xiaoshi Wei
  3. pp. 4-37
  4. DOI: https://doi.org/10.1353/amu.2024.a919653
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  1. "You Know Nothing Except How to Read Musical Notation!": Rethinking the Use of Notation in Jinghu Accompaniment
  2. Li Huan
  3. pp. 38-72
  4. DOI: https://doi.org/10.1353/amu.2024.a919654
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  1. Reimagining the Past in the Construction of the Present: Visuality in Neo-traditional Guqin Performances in Twenty-First-Century China
  2. Ilsa Xiaoshan Yin
  3. pp. 73-125
  4. DOI: https://doi.org/10.1353/amu.2024.a919655
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  1. Performing Indigeneity through the Musical Piece "Miti Sunai" on Yonaguni Island, Okinawa
  2. Yuan-Yu Kuan
  3. pp. 126-159
  4. DOI: https://doi.org/10.1353/amu.2024.a919656
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  1. Music and Recording in King Chulalongkorn's Bangkok by James Leonard Mitchell (review)
  2. Philip Yampolsky
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/amu.2024.a919657
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  1. Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan by Meredith Schweig (review)
  2. Yuan-Yu Kuan
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/amu.2024.a919658
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  1. Trio Getsuro: Music from Innisfree (review)
  2. Devon Osamu Tipp
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/amu.2024.a919659
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  1. About the Contributors
  2. pp. 171-172
  3. DOI: https://doi.org/10.1353/amu.2024.a919660
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