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In this Issue

Table of Contents

  1. A Phenomenology of "Shimmer": Klangtypen and Arpeggio in Liza Lim's Invisibility (2009)
  2. Haotian Yu
  3. pp. 5-37
  4. DOI: https://doi.org/10.1353/pnm.2022.a914768
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  1. La Perte du Temps: Michaël Levinas's Rebonds on the Plane of Immanence
  2. Nathan Cobb
  3. pp. 39-67
  4. DOI: https://doi.org/10.1353/pnm.2022.a914769
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  1. Spectral Music and Minimalism: Reflections on the Work for Voice and Bells by Llorenç Barber
  2. Isaac Diego García Fernández
  3. pp. 69-89
  4. DOI: https://doi.org/10.1353/pnm.2022.a914770
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  1. One to One: Composing Social Dynamics
  2. Charlie Sdraulig
  3. pp. 91-134
  4. DOI: https://doi.org/10.1353/pnm.2022.a914771
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  1. "Inbetween" Performance: Morton Feldman's Piano (Three Hands)
  2. Michael Rector
  3. pp. 135-157
  4. DOI: https://doi.org/10.1353/pnm.2022.a914772
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  1. Composing with Interfaces: Analog and Digital Feedback Loops in the Compositional Process
  2. Dr. Marc Evanstein
  3. pp. 159-190
  4. DOI: https://doi.org/10.1353/pnm.2022.a914773
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  1. Conductor à la Carte: Artistic and Practical Motivations for Utilizing a Conductor in New Music Ensembles Performing Integrated Concerts
  2. Thomas R. Moore
  3. pp. 191-211
  4. DOI: https://doi.org/10.1353/pnm.2022.a914774
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  1. Percussion Instruments, Found Objects, and Instrumentality: An Interview with Steven Schick
  2. Luís Bittencourt
  3. pp. 213-221
  4. DOI: https://doi.org/10.1353/pnm.2022.a914775
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  1. An Interview with Christian Wolff in Vermont
  2. Stuart Saunders Smith, Christian Wolff
  3. pp. 223-233
  4. DOI: https://doi.org/10.1353/pnm.2022.a914776
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  1. Personae
  3. pp. 238-240
  4. DOI: https://doi.org/10.1353/pnm.2022.a914777
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