In this Issue

Table of Contents

The Biography of a Face: Virginia Woolf's Orlando

Anca Parvulescu
pp. 1-22
DOI: https://doi.org/10.2979/jml.2023.a908971
restricted access

Hauntingly Beautiful: Embodied Reading, Virginia Woolf, and Woolf Works

Patty Argyrides
pp. 23-42
DOI: https://doi.org/10.2979/jml.2023.a908972
restricted access

"Everyone chooses their love after their own fashion": The Waves as a Modernist Symposium

Patricia Morgne Cramer
pp. 43-62
DOI: https://doi.org/10.2979/jml.2023.a908973
restricted access

Animality and the Limits of Discourse in Djuna Barnes and Georges Bataille

Cory Austin Knudson
pp. 63-80
DOI: https://doi.org/10.2979/jml.2023.a908974
restricted access

The Invisible Flesh: Mimesis in Jean Genet's The Maids

Farah Ali
pp. 81-97
DOI: https://doi.org/10.2979/jml.2023.a908975
restricted access

The Life-Giving Efficacy of Beauty and Desire in Stoppard's Drama

Molly B. Lewis
pp. 98-114
DOI: https://doi.org/10.2979/jml.2023.a908976
restricted access

A Beast to Be Slain: The Tiger and the Unquenched Desire of Man

Sina Movaghati
pp. 115-131
DOI: https://doi.org/10.2979/jml.2023.a908977
restricted access

Senses of Place: The Black Community in Alice Childress's Wedding Band

Yi-chin Shih
pp. 132-145
DOI: https://doi.org/10.2979/jml.2023.a908978
restricted access

Black Cosmofeminism: Commodity, Sexuality, and the Transnational Mixed-Race Subject in Nella Larsen's Quicksand

Hsiao-Wen Chen
pp. 146-166
DOI: https://doi.org/10.2979/jml.2023.a908979
restricted access

"I Look Straight into His Eyes … For the Last Time": Intimacy and Indifference in Jean Rhys's Good Morning, Midnight

Celiese Lypka
pp. 167-184
DOI: https://doi.org/10.2979/jml.2023.a908980
restricted access

Imagining Justice for Sentient Lives

Karalyn Kendall-Morwick
pp. 185-189
DOI: https://doi.org/10.2979/jml.2023.a908981
restricted access

The Modernist Dog

Caroline Hovanec
pp. 190-193
DOI: https://doi.org/10.2979/jml.2023.a908982
restricted access