In this Issue

Table of Contents

When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.108

Michael Burden
pp. 197-222
DOI: https://doi.org/10.1353/fam.2023.a909189
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Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra

Denise Petzold
pp. 223-243
DOI: https://doi.org/10.1353/fam.2023.a909190
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The Impact of the Covid-19 Pandemic on Music Education in Ukraine

Andrii Bondarenko, Tetiana Humeniuk, Anastasiia Romanenko, Lidiia Makarenko, Liubov Lysenko
pp. 244-262
DOI: https://doi.org/10.1353/fam.2023.a909191
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Briefs / Feuilletons

pp. 263-267
DOI: https://doi.org/10.1353/fam.2023.a909192
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Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)

Graham Muncy
pp. 268-270
DOI: https://doi.org/10.1353/fam.2023.a909193
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Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)

Cameron Pyke
pp. 270-271
DOI: https://doi.org/10.1353/fam.2023.a909194
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Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)

Howard Pollack
pp. 271-273
DOI: https://doi.org/10.1353/fam.2023.a909195
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