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Table of Contents

  1. When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.108
  2. Michael Burden
  3. pp. 197-222
  4. DOI: https://doi.org/10.1353/fam.2023.a909189
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  1. Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra
  2. Denise Petzold
  3. pp. 223-243
  4. DOI: https://doi.org/10.1353/fam.2023.a909190
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  1. The Impact of the Covid-19 Pandemic on Music Education in Ukraine
  2. Andrii Bondarenko, Tetiana Humeniuk, Anastasiia Romanenko, Lidiia Makarenko, Liubov Lysenko
  3. pp. 244-262
  4. DOI: https://doi.org/10.1353/fam.2023.a909191
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  1. Briefs / Feuilletons
  3. pp. 263-267
  4. DOI: https://doi.org/10.1353/fam.2023.a909192
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  1. Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)
  2. Graham Muncy
  3. pp. 268-270
  4. DOI: https://doi.org/10.1353/fam.2023.a909193
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  1. Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)
  2. Cameron Pyke
  3. pp. 270-271
  4. DOI: https://doi.org/10.1353/fam.2023.a909194
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  1. Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)
  2. Howard Pollack
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/fam.2023.a909195
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