In this Issue

Table of Contents

Editorial

pp. 7-8
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The York Vintners' 'The Marriage at Cana' and the Puzzle of Pageants Withheld from the Register

Leanne Groeneveld
pp. 9-32
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Early English Drama Records and Other Manuscripts from Coventry Destroyed Before and During the Second World War

Krista A. Milne
pp. 33-55
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Performative Print: A Printing Anomaly in The Coblers Prophesie

Frances Eastwood
pp. 57-77
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'Participating Immortality': Memory and Performance in Middleton's Hengist, King of Kent

J. Gavin Paul
pp. 79-99
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An Edition of Jonson's Entertainment at Britain's Burse and a New Letter by Collier on Massinger in the Athenaeum (1857)

Marlin E. Blaine
pp. 101-118
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Reconsidering The Battle of Hexham: A Lost Play by Barnabe Barnes?

Misha Teramura
pp. 119-129
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Witches In Space: Introduction

Sarah O'Malley, Emily George, Andrew Loeb, Sharon Vogel Kubik
pp. 131-145
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The Devil at the Edge of this Book: Intertextual Ecologies of Early Modern Crime Narratives

Emily George
pp. 147-163
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'Can you play that?': Moll's Urban Witchcraft in The Roaring Girl

Andrew Loeb
pp. 165-178
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'Heaven guide him to thy husband's cudgel': Falstaff as Male Witch in The Merry Wives of Windsor

Sharon Vogel Kubik
pp. 179-190
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