In this Issue

Table of Contents

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p. 1
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emo riot: to retreat from reason

Lauren Bakst
pp. 2-3
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Theatre and Dance in Greece Is in Danger

Leda Koutsodaskalou
pp. 6-7
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Pressure Points: An Introduction

Leon J. Hilton, Jasmine Johnson
pp. 8-14
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being-in-blackfeminineflesh: Towards an Embodied Veneration of BeTTy BuTT's Inexhaustible Pleasures

Ra Malika Imhotep
pp. 15-31
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Permanent Gestures: Primitive Whiteness in the (Queer) Tattoo Shop

Meredith Lee
pp. 32-46
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Queer Archives, Performance, and Historiography in South Korea: siren eun young jung's Yeosung Gukgeuk Project

Yeong Ran Kim
pp. 47-60
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Spectacles of Stigma in a World Beyond Shame: Public Scenarios from the First 100 Days of the War in Ukraine

Keren Zaiontz
pp. 61-80
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Fragments of a Revolution: Performativity vs. Theatricality in Iran, September 2022–January 2023

Yassaman Khajehi, Mohammad Amin Zamani, Richard Schechner
pp. 81-89
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Claudia Bucher in Five Movements: Extended Sentience

Meiling Cheng
pp. 90-115
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The Artist as Burning Building

Sarah Richter
pp. 116-121
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(Re)Building a Museum, (Re)Worlding a Nation, (Re)Writing History: Hannah Khalil's A Museum in Baghdad

Alireza Fakhrkonandeh
pp. 122-150
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Performing Asian/American Women: Labor, Resistance, and (De)Compression in The King and I and KPOP

Hye Won Kim
pp. 151-172
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Expressions of Surface: Asian American Forms in Pandemic Times

Crystal Song
pp. 173-178
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