In this Issue

Table of Contents

Creativity — Narrativity — Fictionality: A Critical Genealogy

Paul Dawson
pp. 1-26
DOI: https://doi.org/10.1353/pan.2024.a916697
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Dispersing the Devil’s Stench: Shifting Perceptions of Sulfuric Miasma in Early Modern English Literatures

Andrew Kettler
pp. 27-53
DOI: https://doi.org/10.1353/pan.2024.a916698
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Misreadings, Self-Misprisions, and Fabricated Resolutions in Joyce’s “The Dead”

Brian Richardson
pp. 55-70
DOI: https://doi.org/10.1353/pan.2024.a916699
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The (Not-So-)Private Mind: Why Faulkner’s The Sound and the Fury Is and Is Not a Failure

Daniel Schwartz
pp. 71-93
DOI: https://doi.org/10.1353/pan.2024.a916700
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Excluding the Rural Girl Student: Rural-Urban Divide, Knowledge Transmission, and Female Homosociality in Xiao Hong’s “Hands”

Lang Wang
pp. 95-115
DOI: https://doi.org/10.1353/pan.2024.a916701
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The Mirror and the Icon: A Theological Perspective on Nabokov’s Pale Fire

Erik Eklund
pp. 117-140
DOI: https://doi.org/10.1353/pan.2024.a916702
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On Listening and Failure: Roger Laporte with Marcel Proust

Joseph Acquisto
pp. 141-159
DOI: https://doi.org/10.1353/pan.2024.a916703
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Saul Bellow’s Gothic Ontology: The Victim and More Die of Heartbreak

Andrew Smith
pp. 161-177
DOI: https://doi.org/10.1353/pan.2024.a916704
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Creative Work Ethic and Autofiction: Sheila Heti’s How Should a Person Be?

David Hadar
pp. 179-197
DOI: https://doi.org/10.1353/pan.2024.a916705
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Arts of Healing: Cultural Narratives of Trauma ed. by Arleen Ionescu and Maria Margaroni (review)

Balázs Berkovits
pp. 199-203
DOI: https://doi.org/10.1353/pan.2024.a916706
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Mordecai Richler’s Imperfect Search for Moral Values by Shana Rosenblatt Mauer (review)

Ira Robinson
pp. 203-206
DOI: https://doi.org/10.1353/pan.2024.a916707
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Toni Morrison and the Natural World: An Ecology of Color by Anissa Janine Wardi (review)

Wen Yongchao
pp. 206-210
DOI: https://doi.org/10.1353/pan.2024.a916708
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