In this Issue

Table of Contents

The Work of (Dis)figuration in John Williams’s Stoner

Sheila Teahan
pp. 1-24
DOI: https://doi.org/10.1353/arq.2023.a909145
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Locked Doors and Fondled Doorknobs: Gothic Domesticity and Deviant Sexuality of 1950s America in Shirley Jackson’s The Haunting of Hill House

Emily Naser-Hall
pp. 25-49
DOI: https://doi.org/10.1353/arq.2023.a909146
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Sounding the Slavery Debates: The Sonic Writing of Frederick Douglass and William Lloyd Garrison

Tony Papanikolas
pp. 51-72
DOI: https://doi.org/10.1353/arq.2023.a909147
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From Choice to Possibility in Sheila Heti’s Motherhood

Kathleen Reeves
pp. 73-99
DOI: https://doi.org/10.1353/arq.2023.a909148
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Brief, Undeniable: Lyric Address in Mark Strand

Tim DeJong
pp. 101-126
DOI: https://doi.org/10.1353/arq.2023.a909149
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Contributors

p. 127
DOI: https://doi.org/10.1353/arq.2023.a909150
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