Project MUSE - German Studies Review-Volume 46, Number 3, October 2023

German Influences on Ottoman Film Propaganda during World War I

Enis Dinç

pp. 347-364

DOI: https://doi.org/10.1353/gsr.2023.a910185

Vor hundert Jahren: Coudenhove-Kalergis Pan-Europa—der Traum von einer demokratischen Weltmacht als Friedensstifter

Paul Michael Lützeler

pp. 365-385

DOI: https://doi.org/10.1353/gsr.2023.a910186

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Contrasting Ways of Knowing: Overlapping Epistemologies in the Thought and Lives of Ernst Bloch and Rudolf Steiner

Henry Holland

pp. 387-407

DOI: https://doi.org/10.1353/gsr.2023.a910187

Hans Jonas's Gnostic Myth: An Existentialist Worldview Between Romanticism and Christianity

Amir Engel

pp. 409-426

DOI: https://doi.org/10.1353/gsr.2023.a910188

Against Kerygma: Blumenberg's Critique of Rudolf Bultmann's Theology

Peter Uwe Hohendahl

pp. 427-446

DOI: https://doi.org/10.1353/gsr.2023.a910189

Peter Sloterdijk, Philosopher of Germany's New Right

Kumars Salehi

pp. 447-467

DOI: https://doi.org/10.1353/gsr.2023.a910190

Postmemory and Oral History in Josef Winkler's Die Verschleppung and Die Ukrainerin: Njetotschka Iljaschenko erzählt ihre Geschichte

William Christopher Burwick

pp. 469-488

DOI: https://doi.org/10.1353/gsr.2023.a910191

Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture by Jacqueline E. Jung (review)

Masha Goldin

pp. 489-491

DOI: https://doi.org/10.1353/gsr.2023.a910192

The Persistence of the Sacred: German Catholic Pilgrimage, 1832–1937 by Skye Doney (review)

Beth Griech-Polelle

pp. 491-492

DOI: https://doi.org/10.1353/gsr.2023.a910201

An Imperial Homeland: Forging German Identity in Southwest Africa by Adam A. Blackler (review)

Sean Andrew Wempe

pp. 493-494

DOI: https://doi.org/10.1353/gsr.2023.a910202

Germany and the Confessional Divide:Religious Tensions and Political Culture, 1871–1989 ed. by Mark Edward Ruff and Thomas Großbölting (review)

Jeremy Stephen Roethler

pp. 495-497

DOI: https://doi.org/10.1353/gsr.2023.a910203

Erasures and Eradications in Modern Viennese Art, Architecture and Design ed. by Megan Brandow-Faller and Laura Morowitz (review)

Heidi Hakkarainen

pp. 497-499

DOI: https://doi.org/10.1353/gsr.2023.a910204

Ufa international. Ein deutscher Filmkonzern mit globalen Ambitionen ed. by Philipp Stiasny, Jürgen Kasten, and Frederik Lang (review)

Barbara Mennel

pp. 499-501

DOI: https://doi.org/10.1353/gsr.2023.a910205

The Philology of Life: Walter Benjamin's Critical Program by Kevin McLaughlin (review)

Esther Leslie

pp. 501-503

DOI: https://doi.org/10.1353/gsr.2023.a910206

February 1933: The Winter of Literature by Uwe Wittstock (review)

Paul Michael Lützeler

pp. 503-505

DOI: https://doi.org/10.1353/gsr.2023.a910207

Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

Michael Bachmann

pp. 505-507

DOI: https://doi.org/10.1353/gsr.2023.a910208

Demokratisierung nach Auschwitz: Eine Geschichte der westdeutschen Sozialwissenschaften in der Nachkriegszeit by Fabian Link (review)

George Hong Jiang

pp. 507-509

DOI: https://doi.org/10.1353/gsr.2023.a910193

Year Zero to Economic Miracle: Hans Schwippert and Sep Ruf in Postwar West German Building Culture by Lynnette Widder (review)

Philipp Nielsen

pp. 509-511

DOI: https://doi.org/10.1353/gsr.2023.a910194

The Streets Echoed with Chants: The Urban Experience of Post-War West Berlin by Laura Bowie (review)

Alexandria N. Ruble

pp. 511-513

DOI: https://doi.org/10.1353/gsr.2023.a910195

African Students in East Germany, 1949–1975 by Sara Pugach (review)

Katherine Pence

pp. 513-515

DOI: https://doi.org/10.1353/gsr.2023.a910196

1989—Eine Epochenzäsur? ed. by Martin Sabrow, Tilmann Siebeneichner, and Peter Ulrich Weiß (review)

Alexander Vazansky

pp. 515-517

DOI: https://doi.org/10.1353/gsr.2023.a910197

Ruderal City: Ecologies of Migration, Race, and Urban Nature in Berlin by Bettina Stoetzer (review)

Thomas Sullivan

pp. 517-520

DOI: https://doi.org/10.1353/gsr.2023.a910198

Plants, Places, and Power: Toward Social and Ecological Justice in German Literature and Film by Maria Stehle (review)

Joela Jacobs

pp. 520-521

DOI: https://doi.org/10.1353/gsr.2023.a910199

From Bayreuth to Burkina Faso: Christoph Schlingensief's Opera Village Africa as Postcolonial Gesamtkunstwerk? by Sarah Hegenbart (review)

Katherine Pollock

pp. 521-523

DOI: https://doi.org/10.1353/gsr.2023.a910200

Contributors

pp. 525-526

DOI: https://doi.org/10.1353/gsr.2023.a910209

ISSN	2164-8646
Print ISSN	0149-7952
Launched on MUSE	2023-10-27
Open Access	No

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