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In this Issue

Table of Contents

  1. Editor's Note
  2. Stanley Orr
  3. pp. 135-139
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  1. "A Clown's Nightmare of a Masquerade Ball": John Kneubuhl's The Moon and I
  2. Stanley Orr
  3. pp. 140-153
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  1. Satiric TV as Critical Metatainment in Latin America
  2. Paul Alonso
  3. pp. 154-164
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  1. The Poetry of Folly
  2. Rae Armantrout
  3. pp. 165-171
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  1. Comic Books and Funny Papers: A Conversation with Judith Yaross Lee on Humor Studies
  2. Martin W. Kevorkian, Judith Yaross Lee
  3. pp. 172-193
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  1. "Humor Is My Communion": An Interview with Gordon Lee Johnson
  2. Juan Delgado, Gordon Johnson
  3. pp. 194-204
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  1. "As Spirits of The Old Ones Dance, We Sing," "Closing a Portal to Past; Opening One to Promise," and "Rez Dogs Eat Beans"
  2. Gordon Lee Johnson
  3. pp. 205-210
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  1. Colonial Clowns? The Tragicomedy of V. S. Naipaul's Miguel Street
  2. Amanda Lagji
  3. pp. 211-223
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  1. On the Theory and Praxis of Nonsense Poetry as Dialogic Scrum; Or, the Poetical Hermeneutics of a Retro-Teleological, Post-Diegetic Transom (Notes towards an Investigation)
  2. Michael Heyman, Joseph Thomas
  3. pp. 224-241
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  1. Punch Lines, Punching Bags, and Mr. Punch: The Villainous Comic Jesters of Harold Pinter's Short Political Plays
  2. Judith Saunders
  3. pp. 242-256
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  1. The Kelvin Hall Clown by Frank Quitely
  2. Vincent Deighan (Aka Frank Quitely)
  3. pp. 257-258
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  1. The History of Clowns in Comics
  2. Laurence Grove
  3. pp. 259-277
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  1. Glasgow Smiles Better: A Response to Frank Quitely's Portraiture and The Kelvin Hall Clown (2019)
  2. Julie Briand–Boyd, David John Boyd
  3. pp. 278-286
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  1. Hot Cars, Dusty Roads, Clown Motels: Travel Tourism and Americana
  2. Andrew Howe
  3. pp. 287-310
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