In this Issue

Table of Contents

Editorial Statement

pp. v-vi
DOI: https://doi.org/10.1353/cul.2023.a905072
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Epistemology of the Curtain: Sex, Sound, and Solidarity in Singin' in the Rain and Sorry to Bother You

Bonnie Honig
pp. 1-41
DOI: https://doi.org/10.1353/cul.2023.a905073
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On the Cinematic Deconstruction of Logical Sounds: Raúl Ruiz's Quasi-Voice in La maleta

Laura Jordán González, Nicolas Lema Habash
pp. 42-67
DOI: https://doi.org/10.1353/cul.2023.a905074
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Art, Archive, and Fictive Historiography in Lebanon's "Protracted Now"

Renée Ragin Randall
pp. 68-99
DOI: https://doi.org/10.1353/cul.2023.a905075
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Antimmanent Images: Sarah Maldoror's Sambizanga, Anti-Black Temporal Prohibition, Thinking Deleuze and Afropessimism with Cinema

Gust Burns
pp. 100-137
DOI: https://doi.org/10.1353/cul.2023.a905076
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Seen through the Camera Obscura: Life Photographs of the Korean War and Cold War Anxiety of the American Self

Junghyun Hwang
pp. 138-161
DOI: https://doi.org/10.1353/cul.2023.a905077
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Institutional Liberation: Reimagining Museums as Counterpower Infrastructures

Konstantinos Pittas
pp. 162-192
DOI: https://doi.org/10.1353/cul.2023.a905078
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Unsettled Spectatorship: On Anxiety and the Elusive Love of Cinema

Kenneth Berger
pp. 195-206
DOI: https://doi.org/10.1353/cul.2023.a905079
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An Optical Toy Chest

Patrick Ellis
pp. 207-210
DOI: https://doi.org/10.1353/cul.2023.a905080
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Books Received

pp. 211-216
DOI: https://doi.org/10.1353/cul.2023.a905081
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