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In this Issue

Table of Contents

  1. Introduction to the Special Edition: Black Appalachia, Parts I and II
  2. Crystal Wilkinson
  3. p. 1
  4. DOI: https://doi.org/10.1353/cal.2024.a935709
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  1. I Pledge Allegiance to Affrilachia
  2. Marie T. Cochran
  3. pp. 2-4
  4. DOI: https://doi.org/10.1353/cal.2024.a935710
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  1. Still Life with Birch and Creek, and: Bloomhead, and: Instances of Unremarkable Countryside Innocence
  2. Ariana Benson
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/cal.2024.a935711
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  1. Bridle
  2. Herbert Girtley Jr.
  3. pp. 9-19
  4. DOI: https://doi.org/10.1353/cal.2024.a935712
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  1. Home / Road, and: Poem for the End of the World (Bees & Things & Flowers), and: Arroz Con Dulce, and: Augur
  2. Amy M. Alvarez
  3. pp. 20-24
  4. DOI: https://doi.org/10.1353/cal.2024.a935713
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  1. In Spades, and: How Nature Calls Me, and: Start Here, and: Even in Nature, and: How Yesterday Holds Today, and: The Gift That Keeps on Giving
  2. Glenis Redmond
  3. pp. 25-31
  4. DOI: https://doi.org/10.1353/cal.2024.a935714
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  1. Kissing Dixie Goodbye
  2. Artress Bethany White
  3. pp. 32-37
  4. DOI: https://doi.org/10.1353/cal.2024.a935715
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  1. All Ourselves and One
  2. Lynette Ford
  3. pp. 38-39
  4. DOI: https://doi.org/10.1353/cal.2024.a935716
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  1. Confluence
  2. Joy KMT
  3. pp. 40-42
  4. DOI: https://doi.org/10.1353/cal.2024.a935717
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  1. Crossfade, and: my eyes phosphene bodies beneath my hips, and: the devil's wives
  2. Nitajade
  3. pp. 43-48
  4. DOI: https://doi.org/10.1353/cal.2024.a935718
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  1. Belonging in the Kingdom
  2. Jasmin Pittman
  3. pp. 49-53
  4. DOI: https://doi.org/10.1353/cal.2024.a935719
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  1. [Every War in Our House Started with a Song], and: Plantersville, South Carolina Gives an Oral Her-Story, and: Arrival, and: From a Voice
  2. Marlanda Dekine
  3. pp. 54-58
  4. DOI: https://doi.org/10.1353/cal.2024.a935720
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  1. Artist's Statement
  2. Marcus Morris
  3. pp. 59-63
  4. DOI: https://doi.org/10.1353/cal.2024.a935721
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  1. Flood Gates With Fangs, and: Collaring Our Native Tongues, and: Mahalia Sings to Freedom
  2. Khalisa Rae
  3. pp. 64-67
  4. DOI: https://doi.org/10.1353/cal.2024.a935722
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  1. Georgia Paranoia
  2. Chiquita Mullins Lee
  3. pp. 68-73
  4. DOI: https://doi.org/10.1353/cal.2024.a935723
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  1. The Soldier's Mother, and: For Loud Women Like Me, and: Grace & Kindness, and: To Keep From Crying
  2. Amanda Johnston
  3. pp. 74-77
  4. DOI: https://doi.org/10.1353/cal.2024.a935724
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  1. Lament for Tyre Nichols
  2. James E Cherry
  3. p. 78
  4. DOI: https://doi.org/10.1353/cal.2024.a935725
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  1. Blue Note
  2. Lolita Stewart-White
  3. p. 79
  4. DOI: https://doi.org/10.1353/cal.2024.a935726
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  1. Collard Greens & Ham Hocks: Or What to Do When the Bills Are Due, and: Pineapple-Coconut Cake, and: In Your Next Life, and: Acts of Submission
  2. Diamond Forde
  3. pp. 80-84
  4. DOI: https://doi.org/10.1353/cal.2024.a935727
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  1. Affrilachian Sankofa
  2. Dorian Hairston
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/cal.2024.a935728
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  1. The Writer Is Asked Why She Calls Herself Affrilachian
  2. Asha L. French
  3. pp. 87-90
  4. DOI: https://doi.org/10.1353/cal.2024.a935729
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  1. To Be Affrilachian, and: Reflecting on a Dream in Which the First Boy Who Called Me Nigger Stabbed Me in My Right Lung Twice, and: Proper
  2. Torli Bush
  3. pp. 91-94
  4. DOI: https://doi.org/10.1353/cal.2024.a935730
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  1. The Coven After Katrina, and: Aubade Ending in a Lucid Dream of a Backyard, and: 235 Plum St. Haibun, and: James Hemings Prepares for Paris, the Culinary Capital of the World, and: James Hemings Arrives in Paris for the First Time
  2. Rodrick Minor
  3. pp. 95-100
  4. DOI: https://doi.org/10.1353/cal.2024.a935731
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  1. Miss Marguerite's Blueberry Jam
  2. Shannon T. Smith
  3. p. 101
  4. DOI: https://doi.org/10.1353/cal.2024.a935732
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  1. Artist's Statement
  2. C. Choice
  3. pp. 102-107
  4. DOI: https://doi.org/10.1353/cal.2024.a935733
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  1. Black, Radical, Rural
  2. Eisa Nefertari Ulen
  3. pp. 108-116
  4. DOI: https://doi.org/10.1353/cal.2024.a935734
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  1. Tryon, 1943
  2. Leah Hampton
  3. p. 117
  4. DOI: https://doi.org/10.1353/cal.2024.a935735
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  1. Mooshie
  2. NitaJade
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/cal.2024.a935736
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  1. Maroonage Tanka, and: Eulogy for Eli Whitney, and: Makeshift Gods
  2. Chantal James
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/cal.2024.a935737
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  1. Blessed, and: From a Wrinkle
  2. E.J. Wade
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/cal.2024.a935738
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  1. The Harlot at the Spigot
  2. Enkeshi Thom El-Amin
  3. p. 126
  4. DOI: https://doi.org/10.1353/cal.2024.a935739
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  1. You Are My Sunshine, Helen Juanita
  2. Aneesah Nu'Man
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/cal.2024.a935740
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  1. Summerville
  2. Bryn Evans
  3. p. 130
  4. DOI: https://doi.org/10.1353/cal.2024.a935741
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  1. Artist's Statement
  2. Jason Flack
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/cal.2024.a935742
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  1. Home Going
  2. Carla Du Pree
  3. pp. 133-137
  4. DOI: https://doi.org/10.1353/cal.2024.a935743
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  1. Where Marva Went, and: Lineage, and: Girl, and: Love Story #1: Notes from the Archivist's Logbook
  2. L. Renée
  3. pp. 138-143
  4. DOI: https://doi.org/10.1353/cal.2024.a935744
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  1. Lake Effect
  2. William Henry Lewis
  3. pp. 144-151
  4. DOI: https://doi.org/10.1353/cal.2024.a935745
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  1. Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin
  2. Shanna L. Smith
  3. pp. 152-159
  4. DOI: https://doi.org/10.1353/cal.2024.a935746
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  1. Catching Magic: The Importance of Affrilachian Representation in Children's Books
  2. Tonya Abari
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/cal.2024.a935747
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  1. Back Cover Artist's Statement
  2. Tiffany Lawson
  3. p. 163
  4. DOI: https://doi.org/10.1353/cal.2024.a935748
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  1. Contributors
  3. pp. 164-171
  4. DOI: https://doi.org/10.1353/cal.2024.a935749
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