In this Issue

Table of Contents

Conceptualizing Trajectories of Readability

Michael Lucey
pp. 1-35
DOI: https://doi.org/10.1353/ncf.2023.a911797
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Ballet and Celebrity at the Paris Opera, or the Dreams of the Rat

Madison Mainwaring
pp. 36-52
DOI: https://doi.org/10.1353/ncf.2023.a911798
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RETRACTED: Between Science and Sorcery: Reimagining Human and Animal Relationality in George Sand's La Petite Fadette

Leah Powers
pp. 53-68
DOI: https://doi.org/10.1353/ncf.2023.a911799
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The Initial Expression is the Final Impression: The First Sentence of Baudelaire's "Le Peintre de la vie moderne"

Hammam Aldouri
pp. 69-88
DOI: https://doi.org/10.1353/ncf.2023.a911800
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"Confidences épistolaires de la Vénus publique": Real-time Communication, Voyeuristic Reading, and Social Media's Erotic Pre-History in the Petite Correspondance

Hannah Frydman
pp. 89-106
DOI: https://doi.org/10.1353/ncf.2023.a911801
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"Sans doute habituée à une existence sédentaire": Des Esseintes's Turtle and the Residue of Naturalism

Susanna Lee
pp. 107-122
DOI: https://doi.org/10.1353/ncf.2023.a911802
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Le discours médiatique transatlantique avant 1900: L'exemple de la première tournée de Sarah Bernhardt en Amérique

Corina Sandu
pp. 123-138
DOI: https://doi.org/10.1353/ncf.2023.a911803
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Homeless Narrative in Jean Lorrain's Monsieur de Phocas

Robert Ziegler
pp. 139-154
DOI: https://doi.org/10.1353/ncf.2023.a911804
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