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In this Issue

Table of Contents

  1. From the Editor
  2. Siyuan Liu
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2023.a912913
  5. restricted access

Special Section: Betsuyaku Minoru

  1. Betsuyaku and the Comedy of Entropy
  2. David Jortner
  3. pp. 223-232
  4. DOI: https://doi.org/10.1353/atj.2023.a912914
  5. restricted access
  1. Betsuyaku Minoru’s Artful Ambiguity
  2. John K. Gillespie
  3. pp. 233-250
  4. DOI: https://doi.org/10.1353/atj.2023.a912915
  5. restricted access
  1. Godot Came
  2. Betsuyaku Minoru, John K. Gillespie
  3. pp. 251-290
  4. DOI: https://doi.org/10.1353/atj.2023.a912916
  5. restricted access
  1. Betsuyaku Minoru: The Playwright Who Came Back to a Place He had Never Been to
  2. Roger Pulvers
  3. pp. 291-305
  4. DOI: https://doi.org/10.1353/atj.2023.a912917
  5. restricted access

Translation

Report

  1. Performance of Ṭhumrī in Kathak Dance
  2. Purnima Shah
  3. pp. 326-361
  4. DOI: https://doi.org/10.1353/atj.2023.a912919
  5. restricted access

Emerging Scholars

  1. The Many Uses of Censorship: Cultural Regulation on Tamasha in Maharashtra
  2. Sharvari Sastry
  3. pp. 362-380
  4. DOI: https://doi.org/10.1353/atj.2023.a912920
  5. restricted access
  1. “One Opera, Two Nationalisms”: Negotiating Hong Kong Identity and Chinese Nationalism in Cantonese Opera
  2. Priscilla Tse
  3. pp. 381-402
  4. DOI: https://doi.org/10.1353/atj.2023.a912921
  5. restricted access
  1. Modernist Visions Beyond the Horizon of History: The Theatricality of Bai Wei’s Rarely Staged Plays
  2. Zhixuan Zhu
  3. pp. 403-422
  4. DOI: https://doi.org/10.1353/atj.2023.a912922
  5. restricted access

Performance Review

  1. Haha (My Mother) by Myrtle Arts (review)
  2. Sang Mi Park
  3. pp. 423-429
  4. DOI: https://doi.org/10.1353/atj.2023.a912923
  5. restricted access

Book Reviews

China

  1. Selected Plays of Stan Lai by Stan Lai (review)
  2. Hanyang Jiang
  3. pp. 430-434
  4. DOI: https://doi.org/10.1353/atj.2023.a912924
  5. restricted access
  1. Chinese Traditional Theatre and Male Dan: Social Power, Cultural Change and Gender Relations by Chao Guo (review)
  2. Ke Meng
  3. pp. 435-437
  4. DOI: https://doi.org/10.1353/atj.2023.a912925
  5. restricted access
  1. Contemporary Chinese Queer Performance by Hongwei Bao (review)
  2. Zhen Cheng
  3. pp. 437-440
  4. DOI: https://doi.org/10.1353/atj.2023.a912926
  5. restricted access

Japan

  1. The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo by M.W. Shores (review)
  2. Alex Rogals
  3. pp. 440-443
  4. DOI: https://doi.org/10.1353/atj.2023.a912927
  5. restricted access
  1. A History of Butō by Bruce Baird (review)
  2. Tara Rodman
  3. pp. 443-445
  4. DOI: https://doi.org/10.1353/atj.2023.a912928
  5. restricted access