In this Issue

Table of Contents

Joyce

Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork

Madigan Haley
pp. 1-19
DOI: https://doi.org/10.2979/jml.2023.a901928
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James Joyce's Liebestod: Fascism as Civil War

Michele Chinitz
pp. 20-37
DOI: https://doi.org/10.2979/jml.2023.a901929
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Joyce, Nussbaum, and the Value of Disgust

Patrick Eichholz
pp. 38-55
DOI: https://doi.org/10.2979/jml.2023.a901930
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Purification Rituals in Joyce

Roy Benjamin
pp. 56-73
DOI: https://doi.org/10.2979/jml.2023.a901931
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"That English Paper": Cannibals, Slaves, and Bits of Fun in Ulysses

Tristan Power
pp. 74-96
DOI: https://doi.org/10.2979/jml.2023.a901932
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"I am other I now": Identity, Intertextuality, and Networks of Debt in Ulysses

Sarah Coogan
pp. 97-116
DOI: https://doi.org/10.2979/jml.2023.a901933
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New Reading: Notes on a Critical Phenomenology of Reading with Finnegans Wake

Shantam Goyal
pp. 117-129
DOI: https://doi.org/10.2979/jml.2023.a901934
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Beckett

Deconfining Translation in Samuel Beckett's Le Dépeupleur and The Lost Ones

Trask Roberts
pp. 130-146
DOI: https://doi.org/10.2979/jml.2023.a901935
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"For the Sake of Harmony": Beckett's Enactment of the Violence of Abstraction in The Lost Ones

Cristina Ionica
pp. 147-165
DOI: https://doi.org/10.2979/jml.2023.a901936
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Agency after the Subject: Beckett with Merleau-Ponty

Ruben Borg
pp. 166-170
DOI: https://doi.org/10.2979/jml.2023.a901937
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Quietism and Literary Creation

Llewellyn Brown
pp. 171-175
DOI: https://doi.org/10.2979/jml.2023.a901938
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Beckett and/in Context: A Review of James McNaughton's Samuel Beckett and the Politics of Aftermath

John Greaney
pp. 176-179
DOI: https://doi.org/10.2979/jml.2023.a901939
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A Proposal for a Modest Modernism: A Review of Eliot and Beckett's Low Modernism by Rick de Villiers

Jean-Michel Rabaté
pp. 180-184
DOI: https://doi.org/10.2979/jml.2023.a901940
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Painful Productions: A Review of Hannah Simpson's Samuel Beckett and the Theatre of the Witness

Trask Roberts
pp. 185-188
DOI: https://doi.org/10.2979/jml.2023.a901941
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Reflex Modernism

Andrew Gaedtke
pp. 189-194
DOI: https://doi.org/10.2979/jml.2023.a901942
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