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Table of Contents

  1. Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork
  2. Madigan Haley
  3. pp. 1-19
  4. DOI: https://doi.org/10.2979/jml.2023.a901928
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  1. James Joyce's Liebestod: Fascism as Civil War
  2. Michele Chinitz
  3. pp. 20-37
  4. DOI: https://doi.org/10.2979/jml.2023.a901929
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  1. Joyce, Nussbaum, and the Value of Disgust
  2. Patrick Eichholz
  3. pp. 38-55
  4. DOI: https://doi.org/10.2979/jml.2023.a901930
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  1. Purification Rituals in Joyce
  2. Roy Benjamin
  3. pp. 56-73
  4. DOI: https://doi.org/10.2979/jml.2023.a901931
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  1. "That English Paper": Cannibals, Slaves, and Bits of Fun in Ulysses
  2. Tristan Power
  3. pp. 74-96
  4. DOI: https://doi.org/10.2979/jml.2023.a901932
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  1. "I am other I now": Identity, Intertextuality, and Networks of Debt in Ulysses
  2. Sarah Coogan
  3. pp. 97-116
  4. DOI: https://doi.org/10.2979/jml.2023.a901933
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  1. New Reading: Notes on a Critical Phenomenology of Reading with Finnegans Wake
  2. Shantam Goyal
  3. pp. 117-129
  4. DOI: https://doi.org/10.2979/jml.2023.a901934
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  1. Deconfining Translation in Samuel Beckett's Le Dépeupleur and The Lost Ones
  2. Trask Roberts
  3. pp. 130-146
  4. DOI: https://doi.org/10.2979/jml.2023.a901935
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  1. "For the Sake of Harmony": Beckett's Enactment of the Violence of Abstraction in The Lost Ones
  2. Cristina Ionica
  3. pp. 147-165
  4. DOI: https://doi.org/10.2979/jml.2023.a901936
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  1. Agency after the Subject: Beckett with Merleau-Ponty
  2. Ruben Borg
  3. pp. 166-170
  4. DOI: https://doi.org/10.2979/jml.2023.a901937
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  1. Quietism and Literary Creation
  2. Llewellyn Brown
  3. pp. 171-175
  4. DOI: https://doi.org/10.2979/jml.2023.a901938
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  1. Beckett and/in Context: A Review of James McNaughton's Samuel Beckett and the Politics of Aftermath
  2. John Greaney
  3. pp. 176-179
  4. DOI: https://doi.org/10.2979/jml.2023.a901939
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  1. A Proposal for a Modest Modernism: A Review of Eliot and Beckett's Low Modernism by Rick de Villiers
  2. Jean-Michel Rabaté
  3. pp. 180-184
  4. DOI: https://doi.org/10.2979/jml.2023.a901940
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  1. Painful Productions: A Review of Hannah Simpson's Samuel Beckett and the Theatre of the Witness
  2. Trask Roberts
  3. pp. 185-188
  4. DOI: https://doi.org/10.2979/jml.2023.a901941
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  1. Reflex Modernism
  2. Andrew Gaedtke
  3. pp. 189-194
  4. DOI: https://doi.org/10.2979/jml.2023.a901942
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