In this Issue

Table of Contents

Atarraya

Carolina Caycedo
p. 2
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Introduction: A Dialogue on Contemporary German Theatre

Matt Cornish, David Savran
pp. 6-13
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Postfictional Theatre, Institutional Aesthetics, and the German Theatrical Public Sphere

Christopher Balme
pp. 14-31
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Theatre of Potentiality: On A-Human Excess in Performances by Fabrice Mazliah, Felix Rothenhäusler, and Boris Nikitin

Nikolaus Müller-Schöll, Lydia White, Matt Cornish
pp. 32-47
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Fascism, Reality, Shit, and the German Stage

Andrew Friedman
pp. 48-64
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Sorry Not Sorry: Monster Truck’s Postcolonial Anti-Authenticity Spectacular!

Lily Kelting
pp. 65-84
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From Postmigrant to Posthuman: The Performance of Simone Dede Ayivi

Priscilla Layne
pp. 85-101
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From the Spirit of Music: Dramaturgy and Play in Contemporary German Theatre

David Roesner
pp. 105-123
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Roma Armee and the Paradox of Representation

Maria Litvan
pp. 124-141
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The World According to Herbert Fritsch

David Savran
pp. 142-160
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Big Bang Theory: Germany’s Queer Operetta Revolution

Kevin Clarke
pp. 161-182
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Embodied and Immersed Is the New Professional: Potential Alliances between Theatre and STS

Yelena Gluzman
pp. 183-192
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