TDR: The Drama Review

In this Issue

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36.5 / New York Estuary

Sarah Cameron Sunde

p. 2

Tragedy, Catastrophe, Ecology: Introduction to “Performing Against the Catastrophe”

Matthew Wilson Smith

pp. 10-15

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The Epic of Survival: The Climate Crisis and Heroic Form

Genevieve Guenther

pp. 16-20

Catastrophe of the Catastrophe: Industrial Aristotelianism and the (Dis)Emplotment of the Capitalocene

Branislav Jakovljević

pp. 21-27

Theatre for Future: A New Paradigm for a More Sustainable Existence

Gloria Benedikt

pp. 28-34

We Should Be Talking about the Capitalocene

Wendy Arons

pp. 35-40

Dis-Anthropocentric Performance: The Climate Lens Playbook

Una Chaudhuri, Climate Lens

pp. 41-43

On Theatre’s Responsibility in the Spectacle of Climate Change

Zlatko Paković, Branislav Jakovljević

pp. 44-50

Catastrophe Repeats...or Else? Eco-cosmopolitanism and the Rippling Effect of Everyday Praxis

Chiayi Seetoo

pp. 51-56

Australian Coal Theatrics

Denise Varney, Lara Stevens

pp. 57-61

Wake Up; Look Around; Get Involved

Daniel Larlham

pp. 62-67

Perspectivizing Burning Futures

Maximilian Haas

pp. 68-73

Performing Arts Activating Climate Change Awareness: Hyphenated Thinking in Common Dreams — Flotation School

Christel Stalpaert

pp. 74-81

Homo Sapiens

Chantal Bilodeau

pp. 82-84

Infrastructural Performativity and Necrogeologies: Changing Climates at an Intermediate Scale

Clara Wilch

pp. 85-90

Recycling as Refusing the End of the World: Thoughts on Climate Change from Rio’s Garbage Dump

Kathleen M. Millar

pp. 91-95

Relational Entanglements in the Anthropocene Islands: Tonga Tsunami

Teena Brown Pulu, Richard Pamatatau

pp. 96-101

Made in Italy: Addressing Climate Catastrophe through Prison Rehabilitation

Janice Ross

pp. 102-109

Nation-States’ Rivalry and Climate Change

Kwai-Cheung Lo

pp. 110-113

Whose Environmental Sustainability? From “Green” Olympics to “Original Ecology” Folk Song

Ho Chak Law

pp. 114-119

Slow Dramaturgies: Thinking with Freud on Pleasure, Grief, and Epochal Shifts

Sariel Golomb

pp. 120-125

“Dead as a Dodo”: Anthropocene Extinction in the Early Modern World

Sugata Ray

pp. 126-135

No Longer a Laughing Matter: Women Comics and the Social Media Space in Nigeria

Rowland Chukwuemeka Amaefula

pp. 136-148

On Quitting: Dave Chappelle’s The Closer and Hannah Gadsby’s Nanette

Sarah Balkin

pp. 149-166

Economies of Reperformance: Unearthing Racial Capitalism in Dancing at Dusk

Rebecca Chaleff

pp. 167-185

A Necropower Carnival: Israeli Soldiers Dancing in the Palestinian Occupied Territories

Melissa Melpignano

pp. 186-202

Flexible Performativity: What Contemporary Dancers Do When They Do What They Do

Annelies Van Assche, Kareth Schaffer

pp. 203-222

Under the Sign of The Mother: The Wooster Group’s Learning Play