In this Issue

Table of Contents

Waiting to Be Human: The Cruel Optimism of Christian Petzold’s Transit

Muriel Cormican
pp. 141-158
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Reclaiming Heimat, Uprooting National Socialism in Anna Seghers’s “Das Ende”

Lucas Riddle
pp. 159-174
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“Hollow Men” and Übermenschen : The Aporia of Competing Intertextual Motifs in Elfriede Jelinek’s Rechnitz (Der Würgeengel)

Isabella Hellig
pp. 175-189
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The Art of Acting Up: Johann Friedrich Löwen and the Genesis of German Theatre Historiography

Matthew Feminella
pp. 190-206
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The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka by John Zilcosky (review)

Arndt Niebisch
pp. 207-209
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Das Junge Wien im Alter: Spätwerke neben der Moderne by Barbara Beßlich (review)

Wilhelm Hemecker, Nicolas Paulus
pp. 209-211
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Refocus: The Films of Paul Leni ed. by Erica Tortolani and Martin F. Norden (review)

Tobias Nagl
pp. 212-213
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New Perspectives on Contemporary German Science Fiction ed. by Lars Schmeink and Ingo Cornils (review)

Sonja Fritzsche
pp. 214-216
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Visual Alterity: Seeing Difference in Cinema by Randall Halle (review)

Barbara Mennel
pp. 216-219
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